by Tony Dayoub
You won't find one of the NYFF's most exciting discoveries playing in the cavernous Alice Tully Hall as part of the festival's main slate. Instead, you'll have to brave a trip to the Lincoln Center's relatively tiny Walter Reade theater to catch this gem as one of the NYFF's Midnight Movies, Berberian Sound Studio, a true festival sleeper if there ever was one. The intimacy is appropriate given that some might say Peter Strickland's small, imaginative movie is thin, spare. And they wouldn't be entirely wrong. Berberian Sound Studio is kind of a doodle, a loving tribute to the giallo, an Italian horror genre that often features a "normal" person slowly driven mad by phantasmagoric events around him.
