Showing posts with label Brendan Gleeson. Show all posts
Showing posts with label Brendan Gleeson. Show all posts
Friday, October 24, 2014
Movie Review: Stonehearst Asylum (2014)
by Tony Dayoub
"Believe nothing you hear, and only one half that you see." That's a piece of advice offered in Stonehearst Asylum to the film's ostensible hero, Dr. Edward Newgate (Jim Sturgess). It's also the most important suggestion made by author Edgar Allan Poe to his reader in the droll short story that the movie is loosely based on, "The System of Doctor Tarr and Professor Fether." Directed by Brad Anderson (The Call), Stonehearst Asylum is more clever than scary. But there's a lot to be said for a well plotted thriller in a time when too many horror movies hinge more on shocking their audiences instead of getting under their skin.
Tuesday, August 19, 2014
Movie Review: Calvary (2014)
by Tony Dayoub
Both film noir and philosophical exploration of the current state of Catholicism, Calvary is curiously resonant in spite of, or maybe because of, its fusion of widely discordant elements. Reflecting its fractured nature, Calvary could be said to work as either a black comedy or a grim drama, a character study with a definitive central performance by Brendan Gleeson as Father James or an ensemble piece featuring the eclectic cast of oddballs that make up his congregation. Whatever the case, it is quite powerful in all respects, setting out to delineate the beleaguered priest and his not so loyal flock through a passion story of a sort, propelled by an arresting opening scene.
Wednesday, June 4, 2014
Movie Review: Edge of Tomorrow (2014)
by Tony Dayoub
It's early still, but this summer, it looks like the action film to beat is Edge of Tomorrow. It's not entirely a surprise to those who've followed Tom Cruise's career closely. The actor may have limited range. But within that narrow space, he knows what plays and what doesn't (his misguided stab at expanding his action hero repertoire with the still competent Jack Reacher notwithstanding). Cruise is masterful at playing bewildered. And unlike Sylvester Stallone, another favorite action hero of mine, Cruise is self effacing enough to trust the writers and filmmakers he's surrounded himself with.
It's early still, but this summer, it looks like the action film to beat is Edge of Tomorrow. It's not entirely a surprise to those who've followed Tom Cruise's career closely. The actor may have limited range. But within that narrow space, he knows what plays and what doesn't (his misguided stab at expanding his action hero repertoire with the still competent Jack Reacher notwithstanding). Cruise is masterful at playing bewildered. And unlike Sylvester Stallone, another favorite action hero of mine, Cruise is self effacing enough to trust the writers and filmmakers he's surrounded himself with.
Wednesday, March 10, 2010
Movie Review: Green Zone
by Tony Dayoub
Nothing gets my back up more than seeing a movie oversimplify the facts to promote a political agenda. Green Zone, the latest by the Bourne team of director Paul Greengrass (United 93) and Matt Damon (Invictus), does just that. It is the most simple-minded example of progressive propaganda to come out from Hollywood since The Deer Hunter (1979).
Nothing gets my back up more than seeing a movie oversimplify the facts to promote a political agenda. Green Zone, the latest by the Bourne team of director Paul Greengrass (United 93) and Matt Damon (Invictus), does just that. It is the most simple-minded example of progressive propaganda to come out from Hollywood since The Deer Hunter (1979).
Monday, March 17, 2008
Directed By: John Boorman
by Tony Dayoub

Directed By is a series of occasional articles dedicated to highlighting great directors and their notable films.
In recognition of St. Patrick's Day, I decided that the best filmmaker to launch this series would be English director, John Boorman, who resides in Ireland. Boorman's films are often distinguished by the theme of man at odds with his environment, literal or figurative. This usually takes the form of the protagonist being alien to the culture or milieu he finds himself surrounded by.

Directed By is a series of occasional articles dedicated to highlighting great directors and their notable films.
In recognition of St. Patrick's Day, I decided that the best filmmaker to launch this series would be English director, John Boorman, who resides in Ireland. Boorman's films are often distinguished by the theme of man at odds with his environment, literal or figurative. This usually takes the form of the protagonist being alien to the culture or milieu he finds himself surrounded by.
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