Showing posts with label Charlie Hunnam. Show all posts
Showing posts with label Charlie Hunnam. Show all posts
Saturday, September 6, 2014
TV Review: Sons of Anarchy: Season Seven
by Tony Dayoub
If the first few episodes of Sons of Anarchy's final season are any indication, then the series is going down in the same manner it started: as a tragedy of Shakespearean proportions, with the eponymous motorcycle club's royal family and their dysfunctional dynamics at the heart of what ails its crown prince. Jax (Charlie Hunnam) is as dark and vengeful this season as he was bright and optimistic just before his wife Tara's shocking demise. SAMCRO is licking their wounds while preparing to once again make their ascendance in their town of Charming. And Jax's mother, Gemma (Katey Sagal), is alternately remorseful and gratified that sacrificing Tara allowed her to preserve the strength of her two fractured families: Jax and his young sons and the motorcycle club.
CLICK HERE FOR THE FULL POST AT SLANT MAGAZINE
Friday, July 12, 2013
Movie Review: Pacific Rim (2013)
by Tony Dayoub
Pacific Rim—as hulking and earnestly dumb a blockbuster as are its robot Jaegers—represents a bit of a concession to box office realities from its director, Guillermo del Toro. While Del Toro is not exactly unknown, anyone outside of the most ardent film buffs or fanboys will probably not have heard of him. His finest films, The Devil's Backbone and Pan's Labyrinth are both foreign language fantasies that mostly played in art houses. His previous stabs at box office respectability, Blade II and the Hellboy features, are horror tinged masterpieces of the comic book variety, released way before the popularity of superhero films really hit its peak. And just before he was to direct The Hobbit films for producer Peter Jackson, Jackson took the movies back for himself to helm. Well, he may have dodged a bullet with that last franchise, but you get the picture. Del Toro's a talented filmmaker with the worst kind of luck, still trying to prove to studio honchos that he can place the butts in the seats. So it's ironic that the well-reviewed Pacific Rim, as honest an attempt by Del Toro to prove he has what it takes to both excite and attract audiences, has been tracking so poorly in most box office forecasts.
Pacific Rim—as hulking and earnestly dumb a blockbuster as are its robot Jaegers—represents a bit of a concession to box office realities from its director, Guillermo del Toro. While Del Toro is not exactly unknown, anyone outside of the most ardent film buffs or fanboys will probably not have heard of him. His finest films, The Devil's Backbone and Pan's Labyrinth are both foreign language fantasies that mostly played in art houses. His previous stabs at box office respectability, Blade II and the Hellboy features, are horror tinged masterpieces of the comic book variety, released way before the popularity of superhero films really hit its peak. And just before he was to direct The Hobbit films for producer Peter Jackson, Jackson took the movies back for himself to helm. Well, he may have dodged a bullet with that last franchise, but you get the picture. Del Toro's a talented filmmaker with the worst kind of luck, still trying to prove to studio honchos that he can place the butts in the seats. So it's ironic that the well-reviewed Pacific Rim, as honest an attempt by Del Toro to prove he has what it takes to both excite and attract audiences, has been tracking so poorly in most box office forecasts.
Thursday, November 29, 2012
End of Year Mayhem: Deadfall (2012), Life of Pi and Silver Linings Playbook
by Tony Dayoub
I'm wading through about sixty-plus screeners (and counting) as we head into the end of year awards season. What I'm really saying is please forgive me for allowing the blog to lay fallow. With two kids to watch after while my wife is running our business and a hard deadline for voting for the upcoming Online Film Critics Society awards I've neglected the blog. I'm going to compromise a bit then and post some quick and dirty capsule reviews as I catch up on 2012 films (and if you're lucky, I may preview some as well... including one in today's post). The first crop comes after the jump.
I'm wading through about sixty-plus screeners (and counting) as we head into the end of year awards season. What I'm really saying is please forgive me for allowing the blog to lay fallow. With two kids to watch after while my wife is running our business and a hard deadline for voting for the upcoming Online Film Critics Society awards I've neglected the blog. I'm going to compromise a bit then and post some quick and dirty capsule reviews as I catch up on 2012 films (and if you're lucky, I may preview some as well... including one in today's post). The first crop comes after the jump.
Wednesday, September 1, 2010
Blu-ray Review: Sons of Anarchy Season Two
by Tony Dayoub
On the commentary for "Balm," the eventful tenth episode of Sons of Anarchy's second season (which debuts on DVD and Blu-ray this week), director Paris Barclay avers:
On the commentary for "Balm," the eventful tenth episode of Sons of Anarchy's second season (which debuts on DVD and Blu-ray this week), director Paris Barclay avers:
I think this is why [Sons of Anarchy] is going to end up being a classic television show years from now... It's just like NYPD Blue did, and Hill Street Blues before (in the David Milch universe). You could be doing something else, cop work, detective work—in this case biker club—what have you. If the family works, the show goes on. And [this] family, in its dysfunctional way, works great.The series, masterminded by creator and head writer Kurt Sutter (The Shield) recalls The Sopranos in the way it explores a criminal subculture, Northern California outlaw club SAMCRO, and its ties to its community (the ironically named Charming) and extended family. Though the club has its redeeming qualities, namely its protection of Charming from any corrupting criminal activities (including their own... well, it's their aim at least), as a viewer my allegiance to its characters is complicated by the fact that I often realize I'm cheering for its protagonists during the commission of some heinous crime. The show's dark second season is a portrait of a family imploding. And there is hardly a better ensemble cast to help pull it off.
Wednesday, September 17, 2008
TV Review: Sons of Anarchy - Richly Layered Biker Show Should Spawn a Cult Following
by Tony Dayoub

Sons of Anarchy follows SAMCRO, the Sons of Anarchy Motorcycle Club, Redwood Original Charter. Charlie Hunnam stars as Jax Teller, Vice-President of SAMCRO, and son of original founder, the late John Teller. His mother Gemma (Katey Sagal) married Clay Morrow (Ron Perlman) one of the original members of the club, and now, its president. SAMCRO is a close-knit group with a deep love for family, but they primarily make their money from illegal gun-running. The law turns a blind eye to SAMCRO's activities because they keep their home base, the fictional town of Charming, free of drugs. This brings them in conflict with rival gangs such as the Latino "Mayans", and the white supremacist "Nords" led by Ernest Darby (Mitch Pileggi), who both want to bring meth to Charming. With ambitious new Deputy Hale (Tayler Sheridan) keeping an eye on them, the club has their hands full.

Sons of Anarchy follows SAMCRO, the Sons of Anarchy Motorcycle Club, Redwood Original Charter. Charlie Hunnam stars as Jax Teller, Vice-President of SAMCRO, and son of original founder, the late John Teller. His mother Gemma (Katey Sagal) married Clay Morrow (Ron Perlman) one of the original members of the club, and now, its president. SAMCRO is a close-knit group with a deep love for family, but they primarily make their money from illegal gun-running. The law turns a blind eye to SAMCRO's activities because they keep their home base, the fictional town of Charming, free of drugs. This brings them in conflict with rival gangs such as the Latino "Mayans", and the white supremacist "Nords" led by Ernest Darby (Mitch Pileggi), who both want to bring meth to Charming. With ambitious new Deputy Hale (Tayler Sheridan) keeping an eye on them, the club has their hands full.
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