Showing posts with label David Oyelowo. Show all posts
Showing posts with label David Oyelowo. Show all posts
Wednesday, December 24, 2014
Movie Review: Selma (2014)
by Tony Dayoub
Director Ava Duvernay smartly avoids the usual obstacles filmmakers have encountered when bringing the life of Martin Luther King, Jr. to the screen. Selma avoids all the pitfalls of the traditional biopic by instead focusing on a particularly reprehensible flashpoint in the American Civil Rights struggle, the events surrounding March 7, 1965, "Bloody Sunday," and how they ultimately led to the passing of the 1965 Voting Rights Act. By homing in on this historical moment, Duvernay is able to give us a snapshot of the era, put us in the shoes of African American activists, the Southern whites hanging on to their fading power structure, even the President himself, Lyndon B. Johnson (Tom Wilkinson). In Selma, Duvernay has crafted a singular cinematic experience that stands alone among those attempting to communicate the turmoil of the Civil Rights era and the power of the Reverend Dr. King, powerfully played by David Oyelowo. Selma is absorbing, measured, and eloquent, much like the man at its center.
Friday, October 3, 2014
TV Review: Star Wars Rebels: Spark of Rebellion (2014)
by Tony Dayoub
Star Wars Rebels: Spark of Rebellion is the debut episode of the first Star Wars animated series to debut on Disney XD since its parent company acquired the Lucasfilm franchise. Think of it as a Firefly take on characters populating the fringe of the Star Wars universe and you'll get an idea of what it feels like. The irony is that Joss Whedon's short-lived Firefly was itself a western outlaw take on the original Star Wars that focused on a Han Solo-like smuggler and the crew of his ship (a Millennium Falcon in all but name). In Star Wars Rebels, young viewers are meant to identify with Ezra Bridger, a clever ruffian who scavenges his way through life on the Empire-occupied planet Lothal unaware that he has greater powers than he realizes.
Friday, August 16, 2013
Movie Review: Lee Daniels' The Butler (2013)
by Tony Dayoub
You can divide audiences for historical movies into a few categories. Of course, there are those that view them simply as entertainment the way they view all other films. There are people like me, who hope to uncover something new, i.e. Lincoln reframed much of what I knew about my favorite president through the lens of today's politics. Then there are those who simply want what they already believe to be validated by such a movie. It's hard to figure out who Lee Daniels is talking to with Lee Daniels' The Butler (the last time I'll be referring to it by its full, unwieldy and legally imposed title). On the one hand, The Butler is eminently watchable, moving along at a very nimble pace that should appeal to both young audiences ignorant of civil rights history and older audiences wanting to re-experience the history the turbulent times they lived through in a nutshell. But I'm not certain that Daniels is aiming for either constituency.
You can divide audiences for historical movies into a few categories. Of course, there are those that view them simply as entertainment the way they view all other films. There are people like me, who hope to uncover something new, i.e. Lincoln reframed much of what I knew about my favorite president through the lens of today's politics. Then there are those who simply want what they already believe to be validated by such a movie. It's hard to figure out who Lee Daniels is talking to with Lee Daniels' The Butler (the last time I'll be referring to it by its full, unwieldy and legally imposed title). On the one hand, The Butler is eminently watchable, moving along at a very nimble pace that should appeal to both young audiences ignorant of civil rights history and older audiences wanting to re-experience the history the turbulent times they lived through in a nutshell. But I'm not certain that Daniels is aiming for either constituency.
Tuesday, December 13, 2011
Blu-ray Review: Rise of the Planet of the Apes
by Tony Dayoub
Out on DVD and Blu-ray today, one of this year's best horror films, Rise of the Planet of the Apes, is an update of the most chilling entry in the 1970s science fiction franchise. 1972's Conquest of the Planet of the Apes, the penultimate film in the series, postulated a future in which domesticated apes turned on their masters after being organized by a once meek chimpanzee named Caesar (Roddy McDowall). For those familiar with Los Angeles history, images of rioting gorillas in a Century City set aflame still stir up uncomfortable parallels with what were then the recent Watts riots. Rise wisely avoids the racially tinged narrative of its progenitor and instead concentrates on the controversies attendant to animal lab-testing, zoological abuse, and the recent spate of chimp attacks in domestic environments.
Out on DVD and Blu-ray today, one of this year's best horror films, Rise of the Planet of the Apes, is an update of the most chilling entry in the 1970s science fiction franchise. 1972's Conquest of the Planet of the Apes, the penultimate film in the series, postulated a future in which domesticated apes turned on their masters after being organized by a once meek chimpanzee named Caesar (Roddy McDowall). For those familiar with Los Angeles history, images of rioting gorillas in a Century City set aflame still stir up uncomfortable parallels with what were then the recent Watts riots. Rise wisely avoids the racially tinged narrative of its progenitor and instead concentrates on the controversies attendant to animal lab-testing, zoological abuse, and the recent spate of chimp attacks in domestic environments.
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