by Adam Zanzie
[Adam Zanzie started blogging about film at Icebox Movies shortly before last year's De Palma Blogathon, where we got into it over his piece on Redacted. What a difference a year makes. Now, he sneakily lifts the film of choice for my upcoming contribution. What am I going to do with you, Adam? (Great essay!)]
When they were kids growing up in Toronto in 1954, Elliot and Beverly Mantle were already curious enough to want to know more about human sexuality and the female anatomy. “I’ve discovered why sex is,” Elliot tells his younger brother, walking down the streets in their neighborhood one afternoon. “It’s because humans don’t live underwater… fish don’t need sex because they just lay the eggs and fertilize them in the water. Humans can’t do that—because they don’t live in the water. They have to… internalize the water; therefore, we have sex.” Beverly is confused, “So, you mean, humans wouldn’t have sex if they lived in the water?” Elliot clarifies that “they’d have a kind of sex, but the kind where you wouldn’t have to touch each other.” To Beverly, the shyer of the two brothers, this sounds perfectly agreeable. “I like that idea,” he says.
Showing posts with label Dead Ringers. Show all posts
Showing posts with label Dead Ringers. Show all posts
Saturday, September 11, 2010
Monday, September 6, 2010
Cronenberg Blogathon: Written in the Flesh
A crash course in David Cronenberg
by Jim Emerson
[We kick off the Cronenberg Blogathon with a great contribution by Jim Emerson, founding editor-in-chief of RogerEbert.com and writer of one of my favorite blogs, Scanners. This video was originally made by Jim for a lecture at the Frye Art Museum in Seattle. Whether you are familiar with director David Cronenberg's work or not, this piece is as great a visual introduction as its subtitle suggests.]
by Jim Emerson
[We kick off the Cronenberg Blogathon with a great contribution by Jim Emerson, founding editor-in-chief of RogerEbert.com and writer of one of my favorite blogs, Scanners. This video was originally made by Jim for a lecture at the Frye Art Museum in Seattle. Whether you are familiar with director David Cronenberg's work or not, this piece is as great a visual introduction as its subtitle suggests.]
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