Google+ Cinema Viewfinder: Gothic
Showing posts with label Gothic. Show all posts
Showing posts with label Gothic. Show all posts

Tuesday, November 29, 2011

Ken Russell

by Tony Dayoub


What sad, unexpected news to return from vacation to. The passing of British director Ken Russell particularly touches me. As I shared with critic Carrie Rickey this morning, Russell was the first auteur I ever identified with, even before I was old enough to know what the word meant. As I matured, the flaws of excess in his work became more apparent to me. But Russell was nothing if not ambitious in his desire to take risks at the expense of being liked by the critical establishment.

Monday, April 25, 2011

Movie Review: Jane Eyre (2011)

by Tony Dayoub


Compared to the couple of adaptations I've seen in the past (neither of which I remember well enough to dwell on) the most recent Jane Eyre best captures the spooky dread of Charlotte Brontë's Gothic novel. Between the previous adaptations' focus on the title character's early feminism and the romance which attracts many of the book's most ardent fans, the first thing to usually go is the story's eerie atmosphere. Not in this film version, though.

Thursday, March 19, 2009

Natasha Richardson

After almost two days of distressing news regarding a head injury it was announced today that Natasha Richardson is dead. I find myself quite saddened for many reasons. She was always a favorite of mine, performing in such personally memorable films as Ken Russell's Gothic (1986), Paul Schrader's The Comfort of Strangers (1990), and Volker Schlöndorff's The Handmaid's Tale (1990). Her delicate beauty masked a fierce performer that in my opinion was every bit as powerful as her mother, Vanessa Redgrave. And sometimes a little upturn of the corner of her mouth, smiling while she spoke evoked the memory of her swan-like mother in her youth, as the gorgeous Guinevere in Camelot (1967). Richardson inherited a legacy of talent from not only the distinguished Redgrave family but from her father, the late director, Tony Richardson (The Loneliness of the Long Distance Runner). And the husband she leaves behind is famous in his own right, actor Liam Neeson whom she met in Nell (1994). Her early career showed great promise. She was usually the central character of her films, sometimes playing real-life figures such as author Mary Shelley in Gothic, and the eponymous Patty Hearst (1988). But as is often the case for actresses, mainstream parts dried up as she got older, and she was relegated to supporting performances in comedies like The Parent Trap (1998) and Maid in Manhattan (2002), while still taking on the lead in smaller arthouse fare. Given time, and her talent, I believe a strong second stage to her career would have been inevitable. Richardson was 45. Recommended Films - Gothic, Patty Hearst, The Handmaid's Tale,The Comfort of Strangers