A couple of weeks ago I caught an interview with Vincent Cassel on Charlie Rose in which, while promoting his Mesrine two-parter, he explained his approach to famed bank robber Jacques Mesrine. Chief among his demands on the film's producers was his desire to play the man as the criminal he was, not the mythical Robin Hood he portrayed hiself as in his memoir. So my expectation going into the second part, Mesrine: Public Enemy #1 (L'ennemi public n°1), was that this film would be the grittier and more overtly critical of the two films, a takedown of the roguish image depicted in Mesrine: Killer Instinct (reviewed here). Imagine my disappointment when, midway through the film, Jacques gives a 100,000 francs to a poor family who just smuggled him through a police roadblock, thanking them for their service.
