by Tony Dayoub
Though Gary Oldman came up empty at the BAFTAs this past weekend, he still stands a slim chance of being recognized at the upcoming Academy Awards for his career-best turn as graying spymaster George Smiley in Tomas Alfredson’s Tinker Tailor Soldier Spy. His first nomination, it is perhaps the most deserved one of all the performances nominated for Best Actor this year. For Oldman – usually a kinetic and, at times, even bombastic performer – the role of Smiley offered the challenge of playing a spy accustomed to fading into the background. Projecting a facial expression so passive it could almost be labeled a mask, Oldman allows a glimpse into Smiley’s inner life through his aqueous eyes which betray volatility more in line with the rest of the actor’s notable roles. Tinker Tailor Soldier Spy is about a Secret Service in which aging lonely spies fight for dominance in the landscape of the Cold War, a field of battle over which they long ago chose to sacrifice any kind of private lives. Oldman’s Smiley is, then, a perfect distillation of director Tomas Alfredson’s rethink of John le CarrĂ©’s 1974 novel. But Oldman is following in the footsteps of many famed British actors who’ve assayed the role before him. Sir Alec Guinness’ depiction of Smiley is the most well-known, but many will be surprised to discover there were others.
CONTINUE READING AT PRESS PLAY
Showing posts with label James Mason. Show all posts
Showing posts with label James Mason. Show all posts
Thursday, February 16, 2012
Wednesday, September 7, 2011
Richard T. Jameson on Bigger Than Life
This entry is a bit unusual. Richard T. Jameson is a personal hero of mine. He was editor of what, in my opinion, is still the best run of Film Comment (1990-2000). He now writes for outlets like MSN Movies, Parallax View, and the Queen Anne and Magnolia News, which hosts his online movie magaine, Straight Shooting. We correspond occasionally, and he submitted a write-up on Bigger Than Life which I can't post any part of here because it was done as work-for-hire. But I can link to it, and it is worth a read.
Thank you, Richard.
Nicholas Ray Blogathon: Bigger Than Life (1956) and Its Influence on Twin Peaks: Fire Walk with Me (1992)
by Tony Dayoub
In his films, Nicholas Ray often contemplates the psychodynamic turbulence hidden behind facades of normalcy. Bigger Than Life, with its focus on the degradation of patriarch Ed Avery (James Mason) speaks to the repression which plagues the seemingly typical fifties nuclear family. In this way the movie looks forward to those of another director, David Lynch. Though Lynch has explored similar themes throughout his work, most notably in Blue Velvet (1986), it is in Twin Peaks: Fire Walk with Me where Bigger Than Life's influence is most strongly felt.
In his films, Nicholas Ray often contemplates the psychodynamic turbulence hidden behind facades of normalcy. Bigger Than Life, with its focus on the degradation of patriarch Ed Avery (James Mason) speaks to the repression which plagues the seemingly typical fifties nuclear family. In this way the movie looks forward to those of another director, David Lynch. Though Lynch has explored similar themes throughout his work, most notably in Blue Velvet (1986), it is in Twin Peaks: Fire Walk with Me where Bigger Than Life's influence is most strongly felt.
Monday, June 21, 2010
Blu-ray Review: A Star is Born (1954)
by Tony Dayoub
Warner Home Video again does a fabulous job in bringing a "classic" film to Blu-ray with the second version of A Star is Born. If you're wondering why I placed the word classic in quotation marks, it is because this popular movie (especially in this restored version) has some deep flaws worth discussing.
Warner Home Video again does a fabulous job in bringing a "classic" film to Blu-ray with the second version of A Star is Born. If you're wondering why I placed the word classic in quotation marks, it is because this popular movie (especially in this restored version) has some deep flaws worth discussing.
Monday, March 29, 2010
Bigger Than Life (1956) and Its Influence on Twin Peaks: Fire Walk with Me (1992)
by Tony Dayoub
In his films, Nicholas Ray (Rebel Without a Cause) often contemplates the psychodynamic turbulence hidden behind facades of normalcy. Bigger Than Life, with its focus on the degradation of a patriarch, Ed Avery (James Mason), speaks to the repression which plagues the seemingly typical fifties nuclear family. In this way the movie looks forward to those of another director, David Lynch. Though he has explored similar themes throughout his work, most notably in Blue Velvet (1986), it is in Twin Peaks: Fire Walk with Me where Bigger Than Life's influence is most strongly felt.
In his films, Nicholas Ray (Rebel Without a Cause) often contemplates the psychodynamic turbulence hidden behind facades of normalcy. Bigger Than Life, with its focus on the degradation of a patriarch, Ed Avery (James Mason), speaks to the repression which plagues the seemingly typical fifties nuclear family. In this way the movie looks forward to those of another director, David Lynch. Though he has explored similar themes throughout his work, most notably in Blue Velvet (1986), it is in Twin Peaks: Fire Walk with Me where Bigger Than Life's influence is most strongly felt.
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