Google+ Cinema Viewfinder: Laurence Fishburne
Showing posts with label Laurence Fishburne. Show all posts
Showing posts with label Laurence Fishburne. Show all posts

Friday, June 14, 2013

Movie Review: Man of Steel (2013)

by Tony Dayoub


"You'll believe a man can fly." That was the now famous tagline for Superman: The Movie (1978) as it was known then, a film that changed my life when I first saw it at 6 years of age at Miami's now non-existent Dadeland Theatre. I had seen plenty of movies by now, even films with more glorious special effects than that one. Star Wars had come out 19 months earlier, of course. But there was something magical about seeing one of my comic book heroes interpreted onto the screen so masterfully by director Richard Donner and the late actor Christopher Reeve, something about seeing it in a darkened theater balcony, the kind one rarely finds in existence these days. That film is a linchpin in my life I now realize, responsible for my love of Manhattan (which doubled for Superman's adopted city, Metropolis), inspiring me to learn about much of Hollywood history later due to its conflux of new and old actors, like Marlon Brando, Ned Beatty, Gene Hackman, and others. The point is Superman: The Movie casts a pretty large shadow in my life. So it was with some uneasiness that I went into Man of Steel.

Tuesday, July 13, 2010

Movie Review: Predators (2010)

by Tony Dayoub


Midway through the Robert Rodriguez-produced Predators, when we meet Laurence Fishburne's shell-shocked Noland, an Air Cav relic who's managed to survive through seven, no, make that ten hunting seasons in the alien game preserve Adrien Brody's group of cutthroats now find themselves in, that's when I knew I could trust director Nimrod Antal (Armored) to steer this popcorn movie to a satisfying conclusion. Looking as bloated and vacant as Colonel Kurtz did in his earlier film, Apocalypse Now (1979), Fishburne borrows some of Brando's emotional baggage to tell us volumes about Noland in the short space of time he is allowed to bring his pivotal cameo to life. Antal underscores the references in this scene as if to concede that yes, he could cite other, better-known movies with the proper potency if he chooses. But he lingers in this mode only long enough to prove it's not what he's after.