Movie Review: Guardians of the Galaxy (2014)

by Tony Dayoub

Nearly every instance of a Guardians of the Galaxy trailer shown for the past six months at multiplexes nationwide is immediately followed by the same whispers. "Who are those guys?" "Have you ever heard of these superheroes?" "Are they related to the Avengers?" Don't beat yourself up if you've never heard of the Guardians. Even the most diehard geek only has a passing familiarity with these characters. Marvel Studios, well aware of this, takes this as an opportunity to cut itself loose from comic book continuity, giving director James Gunn a considerable amount of creative license to come up with a bouncy, hilarious bauble, an almost $200 million near-throwaway that also happens to be one of the best cinematic adventures of the year.

Blu-ray Review: The Fall - Visually Stunning Story by a Film Magician

by Tony Dayoub



There are those that subscribe to the notion that film should be a purely visual art medium, and lament that movies ever made the transition into sound at all. When you see The Fall, a work of such stunning beauty, it is easy to see why. Unlike my usual reviews, the feeling I got watching this film is better expressed through its visuals.


The movie follows a little girl, Alexandria (Catinca Untaru), a Romanian staying for a time at a hospital in Los Angeles circa 1910s, as her fractured arm heals. There she meets Roy (Lee Pace), a crippled stuntman. Despite her broken English, they develop a relationship as Roy tells her a fantastic story of five legendary heroes and their quest to vanquish the evil General Odious. As the story unfolds, so does the mystery behind Roy's injury, and the nature of his friendship with Alexandria.

The scale of the film is both small, in the intimate relationship between the two hospital patients, and grand in Alexandria's epic imaginations of Roy's simple story. Here is a photo that illustrates the feeble size of the participants in relation to their surroundings.


The director, Tarsem Singh, is best known as the MTV VMA-winner behind the fascinating video for R.E.M.'s "Losing My Religion" (1991). To cult film audiences he is better known as the director of the much maligned The Cell (2000), his only other full-length feature to date. Say what you will about that film, one can't deny it is an equally impressive film visually. Some of the imagery in The Fall is reminiscent of images from the earlier film.


Tarsem undeniably knows the impact of silent films and their visuals, as the final montage in The Fall attests. But dialogue and sound are equally important in the film. The language barrier between Roy and Alexandria subtly affects the narrative of Roy's story. Having just shot a western, stuntman Roy is clearly referring to a Native American in his story, when he explains why one of the heroes covers his eyes in the presence of a woman after having lost his squaw. But young Alexandria hears "Indian", and envisions this instead:


The Fall is stunningly told by not just a filmmaker but a film magician. It is a fable about the power of story to heal, transcend differences, and unite.

The Fall is available on DVD and Blu-ray today.

Stills provided courtesy of Sony Pictures Home Entertainment.