by Tony Dayoub
What makes 12 Years a Slave so incisive isn't that it is a particularly apt depiction of slavery. It's that director Steve McQueen makes the viewer feel like it is. In his previous film Shame, McQueen got us to identify with a lascivious sex addict. In 12 Years, his third film (and his third entry in the New York Film Festival), McQueen does something quite ingenious by choosing to follow the true story of Solomon Northup (Chiwetel Ejiofor). In electing to tell of the ordeal of an educated, free African American from the North, kidnapped and sold into slavery, he makes Northup's fear and outrage our own.
