Less dense than its already thin predecessor, Sin City: A Dame to Kill For feels like a vast improvement nonetheless. Almost a decade ago, Sin City seemed almost revolutionary in the way it capitalized on then innovative digital technology that allowed directors Robert Rodriguez and Frank Miller to shoot their movie on virtual, green-screen sets. Based on Miller's own graphic novel series, the film carried a certain irony. It was a black-and-white film noir homage with a stripped down, DIY sensibility despite hosting a cast of hip actors and utilizing cutting edge filmmaking techniques.
