Movie Review: Captain America: The Winter Soldier (2014)

by Tony Dayoub

Deep into Captain America: The Winter Soldier, Steve Rogers, aka Cap (Chris Evans), and Natasha Romanoff, codename: Black Widow (Scarlett Johansson), end up in Camp Lehigh, the now abandoned army base where Rogers completed basic training before the Super-Soldier serum transformed him into the Sentinel of Liberty. As they try to figure out why they've been lured there, Rogers has a vivid flashback where he sees himself as the 90-lb weakling he used to be. The two SHIELD agents then locate an underground bunker replete with clues as to why the intelligence organization they've served so honorably has now turned against them. The most shocking surprise isn't the fact that SHIELD has been infiltrated by an enemy long thought disbanded or, for all intents and purposes, dead. It's that the bunker's outdated computer has gained a kind of artificial intelligence allowing it to forecast the plans of billions of the world's inhabitants with stunning accuracy. And it's harnessing that kind of power to take over not just SHIELD but the world with total acquiescence from the general public.

NYFF51 Review: All is Lost (2013)

by Tony Dayoub

While hardcore admirers of Gravity are getting their collective back up because astrophysicist Neil deGrasse Tyson is finding all kinds of nits to pick in their beloved movie, there's another front from which to criticize the science fiction survival film that has seen very little discussion. Let's be clear, just as Tyson admits he liked the film, I believe Gravity is a spectacular adventure. But its tale of an astronaut stranded in the vastness of space is not too dissimilar from All is Lost, starring Robert Redford as a man adrift miles from land in a sinking sailboat. Between the two, Gravity has nothing on All is Lost when it comes to creating even the impression of real despair in the face of peril.

You Can't Handle the Truth

Historical extras on its Blu-ray edition fail to make the case for The Conspirator

by Tony Dayoub

Just out on Blu-ray and DVD, Robert Redford’s The Conspirator, about the plot surrounding Abraham Lincoln’s assassination, is the American Film Company’s debut feature. Throughout much of the new disc’s extras, the company touts itself as a production house interested in shepherding stories mined from the annals of American history in the most accurate way possible. And while watching the bounty of special features included in the Deluxe Edition Blu-ray disc, an American history nut like me would find ample evidence that Redford’s 2010 film had been vetted by numerous historians. Included are 10 featurettes that dig into specific aspects of the movie, like the production design, costuming, or its main characters. The hour-long documentary, “The Plot to Kill Lincoln,” provides the historical background behind The Conspirator’s inciting incident in exhaustive detail. A viewing of the disc’s main feature, however, proves that if the facts contradict the story the filmmakers want to tell, truth will still lose out to fiction...

CONTINUE READING AT NOMAD EDITIONS: WIDE SCREEN

Paul Newman

by Tony Dayoub

As he got older, he only got more beautiful. His steely blue eyes took on a special glint as his hair grayed. Years before Brad Pitt came onto the scene, even a middle-aged Paul Newman had a six-pack that was the envy of most men. And when his physique started to decline, as it does for us all, his cocky voice took on a smoky, gruff quality that denoted a world-weariness, which he put to good use in some of his later films, like Fort Apache, The Bronx (1980), The Color of Money (1986), and most recently, Cars (2006).

According to Eric Lax, his biographer, Newman's looks got in the way of his career early on. Often finding himself up for the same roles as his Actors' Studio contemporaries, James Dean and Marlon Brando, Newman was having some trouble standing out. Too good-looking for Dean's roles, and resembling Brando a little too closely, his film career was slower to start. But Broadway had no trouble putting him to work, where he debuted in the original production of Picnic. After a stumble in his first film, the ill-suited costume drama, The Silver Chalice (1954), he recovered nicely, playing boxer Rocky Graziano in Somebody Up There Likes Me (1958).

Sydney Pollack

by Tony Dayoub

Director, producer, and actor Sydney Pollack left behind a substantial body of work. Starting as an actor in the early days of television, he soon moved behind the camera, directing episodes of such classic shows as The Alfred Hitchcock Hour, Ben Casey, and The Fugitive, before turning to films.

After meeting Robert Redford while both appeared in the movie War Hunt in 1962, they established a deep friendship. Pollack began their professional collaboration when he cast Redford in This Property is Condemned (1966). The long and fruitful collaboration yielded many of their best known films, including: Jeremiah Johnson (1972), nominated for the Palm D'or at Cannes, The Way We Were (1973), Three Days of the Condor (1975), The Electric Horseman (1979), Out of Africa (1985), for which he received an Oscar for Best Picture and Best Director, and Havana (1990).

He had returned to acting in recent times, starting with his role as Dustin Hoffman's agent in Tootsie (1982). If he wasn't appearing in his own films, he usually saved his appearances for movies where he'd work with other prominent directors like Robert Altman's The Player (1992), Woody Allen's Husbands and Wives (1992), and Stanley Kubrick's Eyes Wide Shut (1999), as Victor Ziegler, a memorable role which he only got after Harvey Keitel, the original actor cast, could not return for reshoots due to other commitments.

As a producer, he was involved with such notable films as The Fabulous Baker Boys (1989), Sense and Sensibility (1995), The Talented Mr. Ripley (1999), Michael Clayton (2007), and even the recently reviewed HBO film Recount (2008).

No doubt because of his own experience as an actor, he was known as an actor's director, directing no less than a dozen actors to Oscar nominations, like Jane Fonda, Barbra Streisand, Paul Newman, Dustin Hoffman, Meryl Streep, and Holly Hunter. Two of those actors, Gig Young and Jessica Lange, won for They Shoot Horses, Don't They? (1969) and Tootsie, respectively.

Tootsie is ranked 69th on the American Film Institute's list of the top 100 films of all time.

He died this afternoon at the age of 73.

Recommended Films - As Director: They Shoot Horses, Don't They?, Jeremiah Johnson, Three Days of the Condor, Absence of Malice, Tootsie, Out of Africa, The Firm

As Actor: Tootsie, The Player, Husbands and Wives, Eyes Wide Shut