Google+ Cinema Viewfinder: Stephen Dorff
Showing posts with label Stephen Dorff. Show all posts
Showing posts with label Stephen Dorff. Show all posts

Tuesday, December 6, 2011

Movie Review: Somewhere (2010)

by Tony Dayoub


As many of you have noticed, this blog has lain fallow since just before Thanksgiving. Initially, a vacation was to blame but recently, the cause has been the overwhelming amount of end-of-year movies I've had to watch (not a bad thing). In the next few days I hope to publish a few catch-up posts that will address all the movies I haven't had time to write about. Meanwhile, everything old is new again, especially if you weren't able to read it the first time. Many of you have complained about your inability to successfully click through to my work for Nomad Editions: Wide Screen. So now that the magazine folded I will begin reposting the columns I wrote for Wide Screen (in their entirety) to plug holes in my writing schedule. This review was originally published on 12/22/2010.

It's disappointing to conclude that writer-director Sofia Coppola’s latest, Somewhere, causes me to reassess her earlier film, Lost in Translation, in addition to her own potential as an artist. It's not that Somewhere is bad, or even dull. The strong performances by its two leads, Stephen Dorff and Elle Fanning, along with Harris Savides’s handsome photography of a lustrous West Hollywood give one plenty to admire. But the superficiality of a tale rooted in the privileged director’s navel-gazing overwhelms the tender story of the relationship between a young actor and his daughter.

Wednesday, December 22, 2010

Somewhere, My First Piece for Nomad Editions Wide Screen

by Tony Dayoub

It's disappointing to conclude that writer-director Sofia Coppola’s latest, Somewhere, causes me to reassess her earlier film, Lost in Translation, in addition to her own potential as an artist. It's not that Somewhere is bad, or even dull. The strong performances by its two leads, Stephen Dorff and Elle Fanning, along with Harris Savides’s handsome photography of a lustrous West Hollywood give one plenty to admire. But the superficiality of a tale rooted in the privileged director’s navel-gazing overwhelms the tender story of the relationship between a young actor and his daughter.
So begins my latest review. Posting here has been light this past month, but it doesn't mean I haven't been writing. My piece on Somewhere appears in a new digital weekly, Nomad Editions Wide Screen, edited by MSN's chief film critic, Glenn Kenny. I am pleased that Wide Screen allows me to share the company of such highly regarded writers as Simon Abrams, Kurt Loder, Farran Smith Nehme, Vadim Rizov, and others.

Here's the concept behind Nomad Editions (which also offers both a food and a surf weekly, with other titles on the way), as explained by founder Mark Edmiston: