Google+ Cinema Viewfinder: samurai
Showing posts with label samurai. Show all posts
Showing posts with label samurai. Show all posts

Wednesday, October 26, 2011

Ghost Story

Samurai, sensuality and spirits haunt Criterion’s new Blu-ray, Kuroneko

by Tony Dayoub


Feudal Japan: A tracking shot through the woods carefully follows a pale woman wearing a kimono that glows ghostly white as she seemingly skims almost inches above a muddy path. A lascivious samurai follows on a horse trotting close behind her, accompanying her home to “keep her safe” from road agents while mentally working out the best method of having his way with her. When she comes to a puddle, she hops above it in a manner that approximates… flying? Or so the samurai imagines. He shakes off the hallucination. But then, she’s gone. The camera has lost her, too. As it slowly dollies up the path where she once walked, her voice comes from offscreen. Cut to the woman now standing at the side of the samurai astride on his horse. The silence is deafening when the wind isn’t blowing through the trees...

CONTINUE READING AT NOMAD EDITIONS: WIDE SCREEN

Friday, October 15, 2010

Blu-ray Review: Criterion's Seven Samurai (Shichinin no samurai) (1954) and The Magician (Ansiktet) (1958)

by Tony Dayoub


Today is the fifteenth, the point mid-month when the Criterion Collection typically reveals what new DVDs and Blu-rays they have in store for us three months from now. As we await with bated breath, let's take a brief look at two of their newest Blu-ray releases, the classic Seven Samurai (Shichinin no samurai) and The Magician (Ansiktet).

Thursday, August 7, 2008

DVD Review: Redbelt - Mamet's Mixed Martial Arts Movie is a Magnificent Mashup

by Tony Dayoub



Redbelt is writer-director David Mamet's exciting movie set in the burgeoning world of mixed martial arts. The movie's diverse cast is brought together from the worlds of sports, film, and Mamet's usual ensemble. This riveting film is a mashup of two classic genres, the samurai movie, and the fight movie. Using some of the traditional elements of these genres, and infusing the film with his own predilection for "now-you-see-it, now-you don't" trickery, Mamet (Homicide, State and Main) gives us a fresh take on what could have easily been a cliche-ridden story.