by Tony Dayoub Olivier Assayas ( Summer Hours ) alternates between quieter dialogue-driven films and action-oriented pictures which explo...

by Tony Dayoub Jorge Michel Grau's We Are What We Are ( Somos lo que hay ) is the most welcome surprise I encountered in this year...

by Tony Dayoub The "Hottentot Venus" was a freak show exhibition in the early 19th century, in which a black South African fema...

by Tony Dayoub Romanian director Cristi Puiu ( The Death of Mr. Lazarescu ) returns to the New York Film Festival with the mesmerizing my...

by Tony Dayoub I've long defended director Julie Taymor from detractors who accuse her of sacrificing substance for spectacle. Titus ...

by Tony Dayoub Two vastly different documentaries impressed me at yesterday's press screenings. Each in their own way, Inside Job an...

by Tony Dayoub Full disclosure: I'm the last one you want to ask about either Jean-Luc Godard (of his films, I've seen a sum tota...

by Tony Dayoub Midway through The Social Network , wunderkind Mark Zuckerberg (Jesse Eisenberg) calls his estranged partner Eduardo Saver...