Thursday, September 2, 2010
Wednesday, September 1, 2010
Blu-ray Review: Sons of Anarchy Season Two
by Tony Dayoub
On the commentary for "Balm," the eventful tenth episode of Sons of Anarchy's second season (which debuts on DVD and Blu-ray this week), director Paris Barclay avers:
On the commentary for "Balm," the eventful tenth episode of Sons of Anarchy's second season (which debuts on DVD and Blu-ray this week), director Paris Barclay avers:
I think this is why [Sons of Anarchy] is going to end up being a classic television show years from now... It's just like NYPD Blue did, and Hill Street Blues before (in the David Milch universe). You could be doing something else, cop work, detective work—in this case biker club—what have you. If the family works, the show goes on. And [this] family, in its dysfunctional way, works great.The series, masterminded by creator and head writer Kurt Sutter (The Shield) recalls The Sopranos in the way it explores a criminal subculture, Northern California outlaw club SAMCRO, and its ties to its community (the ironically named Charming) and extended family. Though the club has its redeeming qualities, namely its protection of Charming from any corrupting criminal activities (including their own... well, it's their aim at least), as a viewer my allegiance to its characters is complicated by the fact that I often realize I'm cheering for its protagonists during the commission of some heinous crime. The show's dark second season is a portrait of a family imploding. And there is hardly a better ensemble cast to help pull it off.
Tuesday, August 31, 2010
The Mohawk Memoirs: Mullets, Machine Guns, and Mayhem!
by "Rooster" Clayborne
When I, the Rooster, first got wind that a storm from Mount Olympus was brewing, I shuddered with trepidation. One of the mightiest among the pantheon of 80s movie stars decided the time was right to descend upon mortal men in a thunderous clamor to once again remind us what we've been missing since the decade that brought Die Hard
, Commando, and Rambo: First Blood Part II—an action flick with real action stars. My concern was due to the fact that it was Sylvester Stallone who was leading the charge. Nothing against Sly. Quite the contrary. During his heyday, he was among many action heroes I admired. What I feared the most was what my reaction would be to his latest film The Expendables.
When I, the Rooster, first got wind that a storm from Mount Olympus was brewing, I shuddered with trepidation. One of the mightiest among the pantheon of 80s movie stars decided the time was right to descend upon mortal men in a thunderous clamor to once again remind us what we've been missing since the decade that brought Die Hard
Friday, August 27, 2010
Movie Review: Mesrine: Killer Instinct (L'instinct de mort) (2008)
by Tony Dayoub
Opening today in limited release throughout the U.S., Mesrine: Killer Instinct is a star vehicle showcasing the talents of its leading man, Vincent Cassel. Although quite well-known internationally, particularly for his lead roles in Irreversible and La Haine
(oh yeah... and he's married to one of the most beautiful women in the world), domestically he's had to settle for character parts in films like Eastern Promises, and the Ocean's franchise. Being that Mesrine feels more like an American gangster flick than some of the notable Gallic ones, this might be the best chance for the talented Cassel to finally cross over big.
Opening today in limited release throughout the U.S., Mesrine: Killer Instinct is a star vehicle showcasing the talents of its leading man, Vincent Cassel. Although quite well-known internationally, particularly for his lead roles in Irreversible and La Haine
Tuesday, August 24, 2010
Flying Leathernecks (1951) and Ray's Surrender to Conformity
by Tony Dayoub
Another aviation picture from billionaire Howard Hughes, Flying Leathernecks is also one of the stranger offerings directed by Nicholas Ray. Set during World War II's Battle of Guadalcanal, it essentially boils down to a two-hander pitting the stalwart John Wayne against the pugnacious Robert Ryan. Given its use of an incredible amount of actual war footage, I'm assuming the story was built around the footage used (especially with such unique images as a pilot bailing out of a downed aircraft). So it's funny to think of a maverick like Ray having to conform to all of these elements—a notoriously demanding eccentric as his producer, an equally iconic star who no doubt had demands of his own, and the limitations demanded by such specific footage—in order to complete the war movie.
Another aviation picture from billionaire Howard Hughes, Flying Leathernecks is also one of the stranger offerings directed by Nicholas Ray. Set during World War II's Battle of Guadalcanal, it essentially boils down to a two-hander pitting the stalwart John Wayne against the pugnacious Robert Ryan. Given its use of an incredible amount of actual war footage, I'm assuming the story was built around the footage used (especially with such unique images as a pilot bailing out of a downed aircraft). So it's funny to think of a maverick like Ray having to conform to all of these elements—a notoriously demanding eccentric as his producer, an equally iconic star who no doubt had demands of his own, and the limitations demanded by such specific footage—in order to complete the war movie.
Saturday, August 21, 2010
The Mohawk Memoirs: 3-D Movies! An Ocular Treat?
by "Rooster" Clayborne
Ever since I made the perilous decision to shave my shag of hair into a single swath of mohawk, I, the Rooster, have somehow further alienated myself from my adoring wife, Maggie. She still can't quite fathom why I—a man in his late thirties who is presently unemployed, and father to a four-year-old daughter—would do such a seemingly foolhardy thing as to transform myself into the image of Mr. T. Rather than getting into protracted discussions with Maggie about how having a mohawk will complicate my job-seeking prospects, I've been spending a lot more time with the one person who doesn't cower with embarrassment when seen with me in public—my intrepid and unabashed daughter, Paula. The two of us have been spending quality time together by going to the movies. In an effort to heighten Paula's movie-viewing experience, I've been paying a little more in admission so she could wear the over-sized 3-D glasses that obviously come in only one size—adult.
Ever since I made the perilous decision to shave my shag of hair into a single swath of mohawk, I, the Rooster, have somehow further alienated myself from my adoring wife, Maggie. She still can't quite fathom why I—a man in his late thirties who is presently unemployed, and father to a four-year-old daughter—would do such a seemingly foolhardy thing as to transform myself into the image of Mr. T. Rather than getting into protracted discussions with Maggie about how having a mohawk will complicate my job-seeking prospects, I've been spending a lot more time with the one person who doesn't cower with embarrassment when seen with me in public—my intrepid and unabashed daughter, Paula. The two of us have been spending quality time together by going to the movies. In an effort to heighten Paula's movie-viewing experience, I've been paying a little more in admission so she could wear the over-sized 3-D glasses that obviously come in only one size—adult.
Thursday, August 19, 2010
Blu-ray Review: Black Orpheus (Orfeu negro) (1959)
by Tony Dayoub
Sometimes our intellectual sophistication can get in the way of enjoying an entertaining film on the uncomplicated level of "pure cinema." This conflict is more pronounced when a movie with a tinge of social realism could be tagged as profoundly naive, as is the case of Criterion's Blu-ray release this week, Black Orpheus (Orfeu negro). However, reframe the film as a musical, one driven by the burgeoning sounds of the Bossa nova and samba, and one's perspective on Black Orpheus might shift rather mightily.
Sometimes our intellectual sophistication can get in the way of enjoying an entertaining film on the uncomplicated level of "pure cinema." This conflict is more pronounced when a movie with a tinge of social realism could be tagged as profoundly naive, as is the case of Criterion's Blu-ray release this week, Black Orpheus (Orfeu negro). However, reframe the film as a musical, one driven by the burgeoning sounds of the Bossa nova and samba, and one's perspective on Black Orpheus might shift rather mightily.
Saturday, August 14, 2010
Why It's Been So Quiet Around Here...
by Tony Dayoub
Facebook friends excepted, readers wondering why I've been scarce since Wednesday can probably get a clue as to what I'm up to from the picture above.
I'll be back home on Monday, and should have a review up soon after for Criterion's gorgeous Black Orpheus remaster. Have a great weekend.
Facebook friends excepted, readers wondering why I've been scarce since Wednesday can probably get a clue as to what I'm up to from the picture above.
I'll be back home on Monday, and should have a review up soon after for Criterion's gorgeous Black Orpheus remaster. Have a great weekend.
Subscribe to:
Posts (Atom)







