by Tony Dayoub
Shoving exposition into a summer blockbuster is quite a feat when it consists of years of mythology, both of the comic book kind and that of Norse folklore. In Thor, director Kenneth Branagh not only manages to accomplish both quite expertly, he also leaves room for the larger backstory of the interwoven Marvel films. Branagh (Henry V, Hamlet, and Much Ado About Nothing) is, not too surprisingly, a great fit at the helm of the latest Marvel Comic-inspired movie. At its core, Thor is a tale built of legendary battles, palace intrigue, and sibling rivalry on a grand Shakespearean scale.
Saturday, April 30, 2011
William Campbell
by Tony Dayoub
Recommended Films - The High and the Mighty, Love Me Tender, The Naked and the Dead, Dementia 13, Hush... Hush, Sweet Charlotte, Pretty Maids All in a Row
Recommended TV - Star Trek
Recommended Films - The High and the Mighty, Love Me Tender, The Naked and the Dead, Dementia 13, Hush... Hush, Sweet Charlotte, Pretty Maids All in a Row
Recommended TV - Star Trek
Thursday, April 28, 2011
Blu-ray Review: Criterion's Eccentric and Ignored
by Tony Dayoub
Three of April's Criterion releases feature strong central performances by actors portraying outsiders. All are directed by filmmakers with a distinct auteurial stamp (although the first one discussed wouldn't feel comfortable being categorized that way). And all are out in pristine transfers on Blu-ray (two of which are—at the time of this writing—on sale at Amazon for over 50% off; follow the links to purchase).
Three of April's Criterion releases feature strong central performances by actors portraying outsiders. All are directed by filmmakers with a distinct auteurial stamp (although the first one discussed wouldn't feel comfortable being categorized that way). And all are out in pristine transfers on Blu-ray (two of which are—at the time of this writing—on sale at Amazon for over 50% off; follow the links to purchase).
Monday, April 25, 2011
Movie Review: Jane Eyre (2011)
by Tony Dayoub
Compared to the couple of adaptations I've seen in the past (neither of which I remember well enough to dwell on) the most recent Jane Eyre best captures the spooky dread of Charlotte Brontë's Gothic novel. Between the previous adaptations' focus on the title character's early feminism and the romance which attracts many of the book's most ardent fans, the first thing to usually go is the story's eerie atmosphere. Not in this film version, though.
Compared to the couple of adaptations I've seen in the past (neither of which I remember well enough to dwell on) the most recent Jane Eyre best captures the spooky dread of Charlotte Brontë's Gothic novel. Between the previous adaptations' focus on the title character's early feminism and the romance which attracts many of the book's most ardent fans, the first thing to usually go is the story's eerie atmosphere. Not in this film version, though.
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