Movie Review: Rush (2013)

by Tony Dayoub

Rush—the first great movie of the fall—hits theaters today, and it's by Ron Howard? The journeyman director has always been competent, but hardly impressive. With no particular distinctive qualities to distinguish him stylistically from any other filmmaker, Howard has had a difficult time earning the respect of critics, though this has been less of an issue when it comes to his peers or audiences. In years to come, Rush may prove to be the key work in understanding Howard's invisible style.

Movie Review: Cloudy with a Chance of Meatballs 2 (2013)

by Tony Dayoub

Be assured, Cloudy with a Chance of Meatballs 2 is definitely better than the first. That being said, this is not a major accomplishment since the first movie was a major slog to get through. With a color palette that ranged from day-glo to rainbow-tastic and rubber-band-shaped characters with malleable, indistinct personalities to match, it was a forgettable movie where scientist Flint Lockwood (Bill Hader) was forced to sabotage his own invention-gone-wild after it starts creating gigantic food-based weather issues for his island town, Swallow Falls. Overlong and predictable, it was a dull affair even for pint-sized animated film fans. In this respect, Cloudy 2 is a success; the kids at the screening I attended (including my own) were engaged throughout, as were a good number of the adults.

Movie Review: Inequality for All (2013)

by Tony Dayoub

Whether it's Fox News or MSNBC, if you watch cable news, you've seen Robert Reich before. The 4'10" economics expert is a frequent guest pundit on political talk shows. Currently a Professor of Public Policy at UC Berkeley and famed for his tenure as Bill Clinton's labor secretary, Reich also comes across as a bit of a showman in Inequality for All. This is not entirely a bad thing as the new documentary demonstrates. Sometimes it takes someone with a sense of the theatrical to explain our fractured economy in a way the layman can understand.

Movie Review: Enough Said (2013)

by Tony Dayoub

A sweet, sensitive romantic comedy, Enough Said seems like the perfect vehicle for Julia Louis-Dreyfus to finally get a shot at big-screen stardom. The untimely death of James Gandolfini, whose range was often underutilized, is heartbreaking given how director Nicole Holofcener manages to position this story of two divorcées finding love as a could-have-been potential breakout hit for both TV actors. Because of Gandolfini's passing, a bittersweet pall hangs over Enough Said that sometimes threatens to obscure the inherent gentleness of the film. Ultimately, though, both stars' engaging performances allow the movie to transcend whatever preconceived notions, real-world or otherwise, we attach to them.