Sydney Pollack

by Tony Dayoub

Director, producer, and actor Sydney Pollack left behind a substantial body of work. Starting as an actor in the early days of television, he soon moved behind the camera, directing episodes of such classic shows as The Alfred Hitchcock Hour, Ben Casey, and The Fugitive, before turning to films.

After meeting Robert Redford while both appeared in the movie War Hunt in 1962, they established a deep friendship. Pollack began their professional collaboration when he cast Redford in This Property is Condemned (1966). The long and fruitful collaboration yielded many of their best known films, including: Jeremiah Johnson (1972), nominated for the Palm D'or at Cannes, The Way We Were (1973), Three Days of the Condor (1975), The Electric Horseman (1979), Out of Africa (1985), for which he received an Oscar for Best Picture and Best Director, and Havana (1990).

He had returned to acting in recent times, starting with his role as Dustin Hoffman's agent in Tootsie (1982). If he wasn't appearing in his own films, he usually saved his appearances for movies where he'd work with other prominent directors like Robert Altman's The Player (1992), Woody Allen's Husbands and Wives (1992), and Stanley Kubrick's Eyes Wide Shut (1999), as Victor Ziegler, a memorable role which he only got after Harvey Keitel, the original actor cast, could not return for reshoots due to other commitments.

As a producer, he was involved with such notable films as The Fabulous Baker Boys (1989), Sense and Sensibility (1995), The Talented Mr. Ripley (1999), Michael Clayton (2007), and even the recently reviewed HBO film Recount (2008).

No doubt because of his own experience as an actor, he was known as an actor's director, directing no less than a dozen actors to Oscar nominations, like Jane Fonda, Barbra Streisand, Paul Newman, Dustin Hoffman, Meryl Streep, and Holly Hunter. Two of those actors, Gig Young and Jessica Lange, won for They Shoot Horses, Don't They? (1969) and Tootsie, respectively.

Tootsie is ranked 69th on the American Film Institute's list of the top 100 films of all time.

He died this afternoon at the age of 73.

Recommended Films - As Director: They Shoot Horses, Don't They?, Jeremiah Johnson, Three Days of the Condor, Absence of Malice, Tootsie, Out of Africa, The Firm

As Actor: Tootsie, The Player, Husbands and Wives, Eyes Wide Shut

DVD Review: Bonnie and Clyde - Beatty's Contributions Sparked the Fuse of the 70s Film Explosion

by Tony Dayoub

It is number 42 on the American Film Institute's top 100 movies. It is notable for bringing Faye Dunaway and Gene Hackman to the attention of moviegoers around the world. It was Gene Wilder's film debut. It was the first film Warren Beatty produced. And above all, it is arguably the film that ushered in the era of "auteur cinema" that was so dominant in the 1970s, even though the film was released in 1967, and the film was hardly the solitary vision of its director, Arthur Penn. Bonnie and Clyde is all these things and more, and it was finally released last week on Blu-ray and standard DVD in a version much improved over its first DVD release in 1999.

Warren Beatty was not an unknown at the time he decided to produce this film, but he definitely saw the opportunity to further his career with the David Newman & Robert Benton-penned script. The two former magazine staffers first presented the script, covering the exploits of gangster folk heroes Bonnie Parker and Clyde Barrow, to François Truffaut. A leader of the French New Wave, his Jules et Jim had some influence on the story. Truffaut turned it down, but recommended it to Beatty, who was in the market for something to shepherd into production. Not only did Beatty see the chance to give it his all and launch his career as a power player in Hollywood. He saw the possibility of transcending his pretty-boy career with his portrayal of the gangster Clyde Barrow. The sometimes self-conscious Beatty has rarely seemed as dynamic as he does when wooing Dunaway's Parker into complicity at the start of the film.

He also was generous enough to offer the part of his brother Buck to the then unknown Gene Hackman. This was the beginning of a trend as Beatty has always surrounded himself with actors he has befriended in movies throughout his career, such as Reds and Dick Tracy. After costarring with him in Lilith, Beatty had said Hackman was the best thing about the movie. This and other anecdotes are referenced in the wonderful documentary, Revolution! The Making of Bonnie and Clyde included in the special features). In that doc, Hackman tells of how very close he was to quitting as an actor before this movie brought him an Academy Award nomination.

Together with director Arthur Penn, Beatty made an extraordinary effort to bring this film in line with the French New Wave films that were causing such a stir at the time. Penn contributed his speed and agility in setting up the camera from his time as a TV director. Beatty used his own frustrations with the studio system to stoke the fire fueling the cast and crew. As told in the documentary, the pair made a pact to argue about whose filmmaking approach was going to be best for that day's shooting. Whoever got tired of the discussion first would usually lose the debate.

This gave the film its fresh freewheeling flavor that contributed to the development of the "auteur cinema" that subsequently prevailed in the late 60s and 70s American film. Sexual frankness in film was largely absent at the time of its release. Yet both men pushed the envelope in scenes depicting Clyde's impotence and Bonnie's naive remedy... oral sex, a box-office taboo in the 60s. The drastic tonal changes from rollicking to comedy to jarring violence and the now famously shocking abrupt ending were further evidence that the pair were out to change the art of American film. Even though this was not the solitary vision of one director, the lunatics were clearly running the asylum, so to speak. The era of the domineering studio boss was fast approaching its apocalypse.

Gain an appreciation for one of the more entertaining and fast-paced classics by making this one a star in your movie collection. You won't be disappointed.

Still provided courtesy of Warner Home Entertainment.