
While shooting his sequence for RoGoPaG (1963)—"La ricotta," which featured Orson Welles—Director Pier Paolo Pasolini created a Marxist film out of found footage called La rabbia (The Rage) (1963). A restored simulation (more on that shortly) screened last night as the 47th New York Film Festival's opener for its 13th annual Views from the Avant Garde series, running this weekend. While experimental films have never really been my bag (last night's moviegoers wondering who was intermittently snoring at the Walter Reade theater need look no further... it was me), the story behind the scenes is quite interesting.