Google+ Cinema Viewfinder: Paraiso Travel
Showing posts with label Paraiso Travel. Show all posts
Showing posts with label Paraiso Travel. Show all posts

Wednesday, May 7, 2008

Tribeca Film Festival 5/1 (UPDATED) - Angelica Blandon Lights up Paraíso Travel

by Tony Dayoub


11:47 am - Waited for my table at Asiáte (80 Columbus Cir., New York, NY, 10023, 212-805-8881), one of the very best restaurants in Manhattan, and definitely the best view. It sits on the 35th floor of the Mandarin Oriental on Columbus Circle, with floor to ceiling windows that overlook Central Park. As I wait, I see comedian Richard Lewis checking out of the hotel.

11:55am - The maitre'd invites me in to the restaurant. The crisp and clean dining room, separated from the kitchen by a wall of wine bottles, is decorated in soothing beiges and whites. The service is impeccable, with my waiter being knowledgeable about each of the plates I ask for. For the first course, I have a Red Snapper sashimi served over daikon and an avocado mousse cucumber melon gelée, in a mustard ponzu vinaigrette. It was so tasty that I was lamenting the fact that the portion was only enough for a taste. But happily, this was helpful in keeping me open to the more generous main course, Suckling Pig prepared three ways, with braised kale in a sweet plantains smoked ginger jus. The pork is prepared as a croquette (which was not heavily fried), roasted (with its crispy skin still attached), and finally, as a broiled tenderloin, which was the most rewarding.

I follow my waiter's recommendation and get the Chocolate Fondant for dessert. It is the perfect end to the meal, essentially a molten chocolate souffle, arriving in a tall cup, served next to a bowl of marscapone sorbet, with raspberry granité (shaved ice). And the biggest surprise, for a restaurant of its kind it was not too expensive. Very heartily recommended!

4:20 pm - I arrive to the Village East Cinemas to watch Celia the Queen, the new documentary by Joe Cardona and Mario de Varona. I anticipated this one with some interest, as the subject is very near and dear to me, a Miami-born Cuban. It covers the rise of the singer, Cuban guarachera Celia Cruz, starting in Cuba, then New York, and eventually Miami. This has been the only film I've arrived at so far where I've had to wait in such a long line.

The doc doesn't disappoint. It's biggest strength is the charismatic Cruz herself, and her music, of course. There is also very interesting footage of her time with Johnny Pacheco, Willie Colón, and the rest of the Fania All-Stars, the famous 70's Nuyorican conjunto, which is the unspoken heart of the film. The only drawbacks, which are easily remedied, are some unnecessary bridging sequences starring Christina Christian (formerly of American Idol) as a young Celia Cruz. I'd lose them, because the material is strong enough to stand on its own.

With fascinating interviewees, from here in the US (including David Byrne, Wyclef Jean, and Quincy Jones) to far-flung Tokyo, Celia the Queen proves that "Azucar!" can be found anywhere in the world.

6:45 pm - Paraíso Travel (pictured at top) is an accomplished Colombian film by Simon Brand, starring Ana de la Reguera (Nacho Libre), John Leguizamo (Love in the Time of Cholera), and two bright relative unknowns, Aldemar Correa and Angelica Blandon. Correa and Blandon play a young Colombian couple that become separated after arriving illegally in New York. As we follow Correa's Marlon through his travails in New York, and his search for his girlfriend, Blandon's Reina, flashbacks inform us of their painful, laborious, journey to get here after visiting the titular travel agency.

Correa is sympathetic as Marlon, haunted by the ghost of his long-missing girlfriend in a way that no one seems to understand. No one save for us, who see the sorrowful experience they went to in order to reach the U.S., only to be separated hours after their arrival. The fact that Marlon was perfectly content in Colombia until Reina convinced him to join her adds to the tragedy of their separation.

The real discovery is Angelica Blandon, whose lusty Reina is so alluring and vivacious, that her absence is deeply felt whenever the story switches to the present. Blandon is honest in her portrayal, showing Reina's desperation to come to New York to us, if not to Marlon. She is unafraid to reveal Reina's more manipulative moments, moments which could easily turn us against the character, except somehow, we are just as in love with the missing girl as Marlon is. Sly and seductive, Blandon is an actress I predict will become a big star, both in her native country and ours.

Paraíso Travel is one not to miss, and probably the best film I've seen at the festival.

Friday, April 18, 2008

An Apology, an Announcement and Something Pretty Funny...

by Tony Dayoub

I apologize for a relatively slow week here at the site. I've been working on a myspace page to promote the site. We'll hopefully be on Facebook soon. Here's what I've got so far. Go check it out, and leave any comments on any improvements you'd like to see.



Secondly, I've been working overtime to get ready for my trip to New York where I'll be covering the Tribeca Film Festival.I'll be there from 4/29 - 5/3 covering an interesting mix of films which include restorations, documentaries, Latino-themed films, and the World Premiere of a summer blockbuster. Here's the list:

Night Tide
Toby Dammit
Chevolution
Once Upon a Time in the West
Idiots and Angels
Celia the Queen
Paraíso Travel
Three Kingdoms: Resurrection of the Dragon
President to Remember: In the Company of John F. Kennedy
Lou Reed's Berlin
Ball Don't Lie
Speed Racer

The coverage will probably take the form of dispatches with some more in-depth reviews, and more surprises. My aim is to give you as much of a festival experience as I can. Keep up to date on the festival with the Tribeca/Cadillac widget on this page's sidebar. And keep up to date on my coverage here!

Lastly, the great guys at The Digital Bits have a great post up today. It's about director Uwe Boll, and I'll quote them:

First, a little set-up: Doogan sent me this statement to post the other day, and for some reason it just didn't register on my radar screen. I don't know, my head just wasn't in the game or something. But here's what he sent: "So, our good buddy Lance over at Filmdrunk is known the world over for his velvety smooth writing style, and he's quite possibly the single most badass film critic director Uwe Boll considered way too badass to fight when Boll was challenging film critics to box him a while back. Well, today Lance posted a video comment from the good Dr. Boll himself about the Anti-Boll petition going around the Internet tubes of late. Boll’s apparently not a fan of one-sided fist fights and calls for a Pro-Boll petition. Much like Lance, we wholeheartedly endorse this PRO-BOLL Petition and urge you all to sign your name with ours. Yeah, Boll may be a hack, but he deserves the right to make movies for stoners, drop outs and the elderly – just like everyone else. So click here and join the fight. And tell your friends – we need a million names!"

Okay, so that's what Doogan sends me, right? And I'm all like... WTF?! "Yeah, I'll get it up in the next day or so." And he's thinking it's just gonna get recycle binned and that's that. Now... Doogan is no particular fan of Uwe Boll that I know of. And I think Jahnke's actually laid his life on the line in a review of two of Boll's films on DVD. I can't say I've been much of a fan of the guy either... at least, that is, until I saw the following. It seems that in response to the Anti-Boll petition, which at this point has something like 200,000 signatures, Uwe has posted another video in which he claims to have investigated the petition and discovered that most of the people who signed it are really just Steven Spielberg and Michael Bay, signing it repeatedly under different false identities. Seriously, I'm not kidding. It's priceless. Boll then proceeds to critique a short film made by some of the people who started the Anti-Boll petition ("Internet nerds"), and... well, you just need to see his comments for yourself. Suffice it to say, after having enjoyed a few good giggles over it all, I am now firmly an Uwe fan. This is just self-promotion at its finest. Did we mention Boll has a movie debuting in a few weeks on the same day as Indy 4? He does. So everybody go watch his first video, then his second one, and after you stop laughing go sign the Pro-Boll petition. Doogan, what can I say? When you're right, you're right. Priceless.

Gotta love these guys. Have a great weekend.