Google+ Cinema Viewfinder: When the Moors Ruled in Europe
Showing posts with label When the Moors Ruled in Europe. Show all posts
Showing posts with label When the Moors Ruled in Europe. Show all posts

Monday, June 16, 2008

DVD Review: When the Moors Ruled in Europe - A Welcome Alternate View of the Rich and Proud Islamic Culture

by Tony Dayoub



Hosted by Bettany Hughes, When the Moors Ruled in Europe is a stunningly beautiful and informative documentary that debunks a lot of the myths associated with the Moors' invasion of Europe. In the course of doing that, it also illuminates the rich and advanced Muslim society of the Middle Ages, presenting an alternative view of the Islamic culture that has, unfortunately, become our society's bogeyman post-9/11.

It traces the roots of modern society's misunderstanding of the Muslims to their expansion into Europe. Contrary to popular notions, when they invaded what is now Spain, they were welcomed by many as saviors from the more primitive Visigoths. The Muslims, who valued education highly, quickly established a number of libraries, irrigated the land, and erected architectural wonders that survive to this day (like the Alhambra, pictured above). Over time, cross-cultural pollination softened some of the more orthodox practices of the Muslim conquerors, later known as Moors, and they settled in as benevolent rulers of what were for the most part, an appreciative, newly enlightened people. But the ugly head of religious intolerance reared itself, soon enough.

Catholics slowly started chipping away at the Muslim encroachment during the time of the Inquisition. Driving them first into hiding, then into disavowing their religion, before banishing them from Spain altogether, the Catholics established their dominance over Spain. They solidified their rule over Europe during the reign of Isabella, yet a curious thing happened. The architecture and the technological advancements of the Moors became such an ingrained part of the local tradition that it was assimilated by the re-conquering Catholics.

The two-episode series does a great job of summing up some of the little-known legacy of the Moors' time in Spain. They illustrate, for example, how the architecture of the Alhambra has a seemingly ineffable harmony that is directly related to the very conscious geometrical planning of the building and the relationship with its environs. Hughes speaks to various scholars who dispel long-held myths by giving credible explanations. One example is the reframing of El Cid from heroic Moor-slayer to benevolent and well-loved ruler over a mostly Muslim people. His name is actually derived from the dialectal Arab word "sïdi", or the honorific "sayyid" which means "Lord." Illustrated throughout with cinematography depicting the still-standing architectural achievements of the Moors, the documentary serves as a tempting invitation to visit Spain and experience some of these influential buildings they left behind.

Perhaps the Moors' most long-standing and unspoken legacy is visible on the faces of many Spaniards. The majority of Spain's people still bear the strong genetic features of the invading Moors, a handsome reminder of this culture's once dominant status in pre-Renaissance Europe.

This entry first appeared on Blogcritics on 6/16/2008.

Monday, May 12, 2008

The Big Sleep: The Current State of Things and a Few Words on Glenn Kenny

by Tony Dayoub

So here is the current state of things around here. Got back from Tribeca a week ago when the following proceeded to occur:
  • My laptop died. Thought it'd be a simple matter of replacing the hard drive and recovering some data from the old one. Turns out the whole motherboard is fried (or some such shit like that... I'm not the tech-savvy type) and the data is, to quote Roy Batty (Rutger Hauer) in Blade Runner, "lost... like tears in rain." Included in that data, pictures of my son's first Christmas. Lesson: Always back everything up.
  • My cell phone is dying. Which has made it almost impossible to conduct business while I wait for my new laptop, since my cell was the only way I could answer email. Working on getting that replaced as well.
  • My car could go any day now. Scary is hoping your car doesn't die out in Atlanta traffic with an unreliable cell phone to depend on.

The good news is that I've had plenty of time to watch a stack of screeners that was waiting for me when I got back from NYC. So you'll be getting plenty of reviews as soon as I'm back up, including:
Until then, let's talk about something else that has been on my mind. Premiere Magazine, a film magazine that started in France (and continues to be published there), was first published in the U.S. in 1987. Some have been critical of the American magazine for trivializing the art of film, i.e. concentrating on celebrities and box office tallies, and even putting out an annual list ranking the most powerful people in Hollywood. I was a subscriber from day one, and I can tell you that at fifteen, it was a considerable influence on my approach to analyzing cinema. Sure, if you were looking for scholarly examination of film in the context of world cinema you were probably better served by reading Film Comment (a publication I still enjoy greatly). But there was still room for Premiere's brand of journalism. Because though some would accuse it of trivializing the medium, I found it was honest in covering American film in the grander scheme of things, covering everything from independents to blockbusters, films to home videos, spotlighting actors both famous and obscure, and never letting you forget that though you may love film for its art, it was ultimately the business forces that decided if it would get made or not. Last year, Premiere, in the U.S., succumbed to the erosion of advertisement income now plaguing much of print media in the face of the rising popularity of the internet as news outlet. Many of the staff lost their jobs as it transitioned to a second life on the net, except one.

Glenn Kenny, the mag's resident film critic, continued in that capacity as the magazine became one of many entertainment sites that abound online. His singularly distinctive voice and style was one of the few reasons to continue to visit the site, as he also supplemented his reviews with a fantastic blog, "In the Company of Glenn". Not only does this man have an opinion (which I frequently disagreed with), but he is a master of the English language. You'd be surprised how few of those exist online. Here's an example of his way with words from his post on 4/21/08 entitled Monday Evening Palate Cleanser:

It vexes me. I am terribly vexed.

Why, on this mild Monday evening, do the words of Joaquin Phoenix's Commodus echo through my head?

That's a rhetorical question. I know exactly why. That answer's multi-faceted. Part of my vexation stems from encountering, in this here blogosphere, a putative paean to a particularly distinguished work of cinema, which praises the particular work at the expense of practically every other movie the director of that work ever did, trotting out heavyweight quotes the better to swat at...David Denby, who recently had the temerity to cite said director's "refinement." What such score-settling has to do with the work at hand is, naturally, beyond me. But the score-settler seems to believe he's achieved the ambition of that character in Gass' "In The Heart of The Heart of The Country," which I guess is nice for him, not so nice for those turning to him for some wit or perception. And in thinking about all this, I further think, "Dude, you really want to get into it like this?" "It" being the week, after a weekend of examining some of the other discontents readily available in the film-appraisal corner of our world. And I answer, "No, I do not."

I bring up Mr. Kenny because Premiere just terminated his position. And as NPR reported on a story on the very day Kenny announced his departure, he is but the latest casualty in a long string of critics who've accepted buyouts or have been terminated from magazines and newspapers nationwide. So a site struggling to stand out from all the others just got rid of the one person who had the most potential to help them in doing so. And another veteran film critic loses his job because of ever increasing competition from bloggers who write more often, more incoherently, and often for free.

Though I am thankful for the immediacy, and facility, that the online world affords me in expressing my views on this subject I adore, cinema, I will always defer to journalists with formal training and experience when it comes to writing. Here's hoping that Mr. Kenny will land on his feet quickly, and get on with the business of provoking us to think on cinema from his perspective, no matter how often I may disagree with it.

An archive of Glenn Kenny's blog for Premiere, "In the Company of Glenn", is up, for the moment, under my Recommended Blogs to the left. His new writings may be found under a blog he set up, all by himself, called "Some Came Running", also under my Recommended Blogs.