TV Review: Top of the Lake Episode 5

by Tony Dayoub

The Sundance Channel has wisely decided to wrap up Top of the Lake next week, airing its last two episodes on Monday night. Hopefully, this might stave off some of that Are-we-there-yet feeling which creeped into this week's episode. I've championed the series so far, despite criticism from some quarters that the mystery has been too drawn out. After all, the point is hardly the puzzle concerning the missing Tui Mitcham (Jacqueline Joe). When pressed, I'm sure even the most naïve viewer could tell you beat for beat the way in which Top of the Lake's plot will unfold. What makes a show such as this so rewarding is the unique alchemy between the cast of characters populating Laketop, Paradise, and the police force investigating Tui's disappearance, which we find out in this episode occurred two months ago. Perhaps that story point explains why this episode felt so static, not just from a story standpoint but in terms of exploring the central characters.

Movie Review: Evil Dead (2013)

by Tony Dayoub

That's what I get for listening to you guys. Yeah, all of you bloggers filing out of the SXSW premiere of the Evil Dead remake declaring, "This time, they got it right," I'm looking at you. I know you weren't necessarily saying this time they got The Evil Dead right since Sam Raimi's 1981 film, though admittedly amateurish in its execution, is still about the most inventive first-time horror film this side of David Lynch's Eraserhead. I get that what you really meant is that 2013's Evil Dead does right by its predecessor in ways that the Halloween, Nightmare on Elm Street, Texas Chainsaw Massacre and umpteen other recent horror remakes never have. Raimi himself produced the new Evil Dead along with Bruce Campbell, the cult actor who made his name with the series, so it's certain they'd shepherd their baby through the often callous reboot process. But with each successive film of his, it seems more and more apparent that Raimi is making financial decisions not artistic ones. How else to explain the blatant inferiority of the new Evil Dead?

Roger Ebert

by Tony Dayoub

There will always be those who love old movies. I meet teenagers who are astonishingly well-informed about the classics. But you are right that many moviegoers and video viewers say they do not "like" black and white films. In my opinion, they are cutting themselves off from much of the mystery and beauty of the movies.

Black and white is an artistic choice, a medium that has strengths and traditions, especially in its use of light and shadow. Moviegoers of course have the right to dislike b&w, but it is not something they should be proud of. It reveals them, frankly, as cinematically illiterate.

I have been described as a snob on this issue. But snobs exclude; they do not include. To exclude b&w from your choices is an admission that you have a closed mind, a limited imagination, or are lacking in taste.

--Roger Ebert's response to someone fearing the demise of black-and-white films

Rest in peace, Roger, without whom none of us would be here in quite the same way we are today.

More on Mr. Ebert at the newspaper he wrote for, the Chicago Sun-Times.

TV Review: Top of the Lake Episode 4 - Triggering History

by Tony Dayoub

A conventional noir begins to take shape in this week's episode of Top of the Lake. It's a hallmark of such detective thrillers that the very thing that makes their heroes strong enough to have unique insight into the central mystery is often their Achilles' heel. Detective Robin Griffin (Elisabeth Moss) seems less in control of than ensnared by the web of deceit surrounding pregnant 12-year-old Tui Mitcham's disappearance from the small town of Laketop. Al Parker (David Wenham) correctly diagnoses Robin when he judges her as too close to the case because of her personal history, specifically the rape she survived in her teenage years.