Movie Review: The Railway Man (2014)

by Tony Dayoub

Based on Eric Lomax's autobiography of the same name, The Railway Man is a contemplative film about the damage Post Traumatic Stress Syndrome inflicted on him for decades after his torture at the hands of the Japanese at a prisoner-of-war camp. The title refers not only to the love Lomax held for anything related to railways but also to his coincidental imprisonment in a POW camp where the prisoners were responsible for building the Burma Railway, a job so difficult that, as Lomax puts it, only punishing slave labor could accomplish.

Movie Review: Transcendence (2014)

by Tony Dayoub

Remember that Star Trek episode where Captain Kirk has to free some aliens on a planet controlled by an all-powerful, omniscient computer? And those aliens have these tiny antenna on their necks that allow them to be networked with that computer, Vaal, essentially making them physical instruments for it to conduct whatever activities necessary for a planetary makeover suited to his specifications. That's Transcendence in a nutshell, only with even more hokey, far-fetched ideas thrown in to complicate the simplistic story a bit.

Movie Review: Joe (2014)

by Tony Dayoub

Anyone who still indulges in the meme that Nicolas Cage overacts should be silenced by one look at his new film, Joe... that is if they get around to seeing it. Small and unassuming, Joe is an indie by David Gordon Green, a director who's at his best when he makes plot subordinate to the study of one or two well-delineated characters. One of those would be Gary (Tye Sheridan), a young drifter with a good work ethic looking to escape the influence of his violent, alcoholic father, Wade (Gary Poulter). Then there's Joe himself, played by Nicolas Cage as an industrious business owner whose stillness belies an explosive temper that has kept him at a remove from all but society's most underprivileged or unjustly ignored.

Movie Review: Jodorowsky's Dune (2014)

by Tony Dayoub

Among the most fascinating movies never made is the one that lends a new documentary its title, Jodorowsky's Dune. Alejandro Jodorowsky is the passionate Chilean filmmaker behind surreal cult movies El Topo and The Holy Mountain. As his admirers grew, especially within the cinematic and pop cultural elite, Jodorowsky expressed his desire to make a film adaptation of Frank Herbert's complex, sci-fi epic Dune his next project. Jodo, as his friends called him, wanted his Dune to move the medium forward with the same verve Kubrick's 2001 did. But he intended it to more explicitly alter a viewer's state of consciousness, in effect doing Kubrick one better by offering a moviegoer the same effects as LSD without the need to take the hallucinogen.