The misguided colonialism in Of Gods and Men
by Tony Dayoub
Last week’s most notable DVD release was Of Gods and Men (Des hommes et des dieux), winner of the number two prize at last year’s Cannes Film Festival, the Grand Prix. (Out this week is the comparatively better-known Uncle Boonmee Who Can Recall His Past Lives, winner of last year’s Palme d’Or.) Curiously, though a sensation in its native secular France, this faith-based drama has received relatively little press in the more religious US. No doubt this is rooted in the fact that Of Gods and Men takes a complicated view of Christian-Muslim relations, a less black-and-white perspective that Americans, still smarting from September 11, may not be ready to accept just yet...
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