by Tony Dayoub
On the face of it, David Cronenberg's A Dangerous Method, based on the play "The Talking Cure" by Christopher Hampton, seems like the perfect vehicle for the director's cerebral approach. In his films, Cronenberg is often accused of a detached, almost clinical, method of eliciting drama from circumstances in which the body turns on itself, i.e., The Brood, The Fly, and even less fantastic stories like that of Dead Ringers. So, at first glance, this story depicting the nearly filial relationship between Sigmund Freud (Viggo Mortensen) and his protege, Carl Jung (Michael Fassbender), and its eventual rupture over their contrasting approaches to mental illness, seems like the perfect marriage of artist and material.
