by Tony Dayoub
No movie can withstand the scrutiny John Carter—a lavish and, no doubt, costly science fiction blockbuster—has been subject to. But as usually happens in movies of this order, some people start actively rooting against it (read this piece and its author's own comment, the third one down). Ask James Cameron, an innovator and showman who's faced such discouragement from fickle critics too many times to list (Avatar, Titanic and others). Curiously, someone like George Lucas gets a pass despite blatant attempts at cravenly bleeding his Star Wars franchise drier than a squeezed lemon for profits at the expense of its naive fans. Perhaps there's a little creative envy involved. Or in the case of some Hollywood reporters, maybe there's a bit of settling old scores against a studio, actor or filmmaker. All of this attendant anti-fanfare is to be expected when a leviathan like John Carter dares to flirt with greatness and disappointingly falls a little short. But the most frustrating aspect is the way many, even those who haven't seen the film itself, start racing behind the agenda-driven critics like a bunch of lemmings headed off a cliff. Especially when the movie they've decided to beat on is a beautifully lensed, well-acted, escapist fantasy as clever as John Carter.