Google+ Cinema Viewfinder: Charlotte Le Bon
Showing posts with label Charlotte Le Bon. Show all posts
Showing posts with label Charlotte Le Bon. Show all posts

Friday, August 8, 2014

Movie Review: The Hundred-Foot Journey (2014)


by Tony Dayoub

Neither the lush, poetic expression of everything its target audience of foodies and mature movie-lovers might hope for nor the cloying, overripe romance other critics accuse it of resembling as they all gleefully pile on, The Hundred-Foot Journey is a pleasant diversion from the excess provided by the usual summer blockbusters. That our screening was preceded by a taped message from producers Steven Spielberg and Oprah Winfrey hinting how much they want you to really, really like it, signaled that the movie would try very hard to be inoffensive, a kind of paradox if you think about it. The selection of Lasse Hallström as director, the man behind such vanilla fare as Chocolat and Salmon Fishing in the Yemen, all but underscores that the movie will be devoid of surprises. Predictable as it might be, though, The Hundred-Foot Journey does possess some charm, emanating mostly from its offbeat cast and its surprisingly frank approach to racism in the otherwise alluring French countryside.

Wednesday, July 16, 2014

Movie Review: Yves Saint Laurent (2014)


by Tony Dayoub

French biopic Yves Saint Laurent is at once sincere and reductive. Framed as a reminiscence by his business and life partner Pierre Bergé (Guillaume Gallienne), the movie sometimes plays like a telefilm truncated for a pre-arranged timeslot on Lifetime. The majority of its running time is allotted for the most interesting part of course, the meteoric rise of Saint Laurent (Pierre Niney). Before becoming a famed couturier in his own right he was an assistant to another fashion icon, Christian Dior, whose untimely death placed Saint Laurent atop the House of Dior as head designer at the unprecedented age of 21. Other formative experiences, such as a hospitalization that included electroshock therapy after his aborted conscription into the French Army, are elided over in a manner not unlike that of a footnote in a magazine profile.