Slumming It Lumet-Style in Broken City

by Tony Dayoub

Private detective Billy Taggart (Mark Wahlberg) is a brittle shell encasing a multitude of failings. Jealous, obsessive and paranoid, he tells his soon to be ex-wife Natalie (Natalie Martinez), an actress on the verge of overnight success, that she can't fool him. "I'm a detective. You couldn't if you tried." So, into the mix that makes up Taggart, you can also add a certain measure of arrogance characteristic of some who "uphold" the law. Taggart's hubris is a strong indicator that he is headed for a big fall. With such a perfect noir set-up, why then does Broken City feel so prosaic?

Crime and Misdirection: Sinister (2012)

by Tony Dayoub

One of the easiest ways horror movies provoke a response from their audience is to put a child in jeopardy. Just think of all the films that immediately come to mind when you contemplate that last statement: The Shining, The Sixth Sense, Rosemary's Baby, The Omen, The Exorcist. Sinister does this too. In truth, Sinister is not just a little derivative in its attempt to invert the expectations associated with this angle. But it's the way it uses our fears to misdirect us that make Sinister an engaging, and surprising, horror film... perhaps even one of the most frightening in years.