by Tony Dayoub
Think The Postman Always Rings Twice in period costume and you'll instantly get what In Secret is all about. It is based on Émile Zola's novel, Thérèse Raquin, a kind of proto-noir. Elizabeth Olsen stars as Thérèse, an illegitimate cousin to the sickly Camille Raquin (Harry Potter's Tom Felton), who earns her keep as his sort of nurse. Camille's overprotective mother, Madame Raquin (played by the 1981 Postman's femme fatale, Jessica Lange) thinks she is doing all a favor by proposing a marriage between the two cousins. But Camille comes up short in the sexual heat department. Enter Laurent (Oscar Isaac), Camille's horny, hunky, childhood pal. It's not hard to figure where this is going from there.
Showing posts with label John Kavanagh. Show all posts
Showing posts with label John Kavanagh. Show all posts
Wednesday, February 26, 2014
Wednesday, October 9, 2013
NYFF51 Review: The Invisible Woman (2013)
by Tony Dayoub
Ralph Fiennes' second directorial effort, The Invisible Woman is an adaptation of Claire Tomalin's book of the same name, which detailed the long hidden love affair between author Charles Dickens and Ellen "Nelly" Ternan. Considerably younger than Dickens (played by Fiennes), Nelly (Felicity Jones) was an actress from a family of actors who the movie posits may have begun the relationship as a bit of a moon-eyed groupie. Dickens was already renowned for his works and his appearance was well known to many a Londoner. This makes for the film's best instances showing the at times negative aspects of fame Dickens—who enjoyed the adulation—had to contend with as he carried out his dalliance. No doubt this facet of the story was the easiest point of identification for the congenial and celebrated Fiennes.
Ralph Fiennes' second directorial effort, The Invisible Woman is an adaptation of Claire Tomalin's book of the same name, which detailed the long hidden love affair between author Charles Dickens and Ellen "Nelly" Ternan. Considerably younger than Dickens (played by Fiennes), Nelly (Felicity Jones) was an actress from a family of actors who the movie posits may have begun the relationship as a bit of a moon-eyed groupie. Dickens was already renowned for his works and his appearance was well known to many a Londoner. This makes for the film's best instances showing the at times negative aspects of fame Dickens—who enjoyed the adulation—had to contend with as he carried out his dalliance. No doubt this facet of the story was the easiest point of identification for the congenial and celebrated Fiennes.
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