by Tony Dayoub
After opening throughout most of the U.S. at the end of last year, Café de Flore finally arrives in Atlanta today. The dark, romantic fantasy, directed by Jean-Marc Vallée, has a distinctly Euro vibe that belies its Québécois origins, a fact which makes the film a more viable American art-house release than the usual Canadian fare. Intercutting between two disparate but eerily parallel storylines, one set in late 60s Paris, the other in contemporary Montreal, Vallée takes his time in revealing what links the plots. And unlike the typical movie of this kind, he manages to keep the viewer in suspense for exactly the amount of time he meant to.
