Google+ Cinema Viewfinder: Kiefer Sutherland
Showing posts with label Kiefer Sutherland. Show all posts
Showing posts with label Kiefer Sutherland. Show all posts

Tuesday, August 28, 2012

Twin Peaks: Fire Walk with Me at 20

by Tony Dayoub


Months before Twin Peaks' national TV premiere on ABC, its pilot debuted at the Miami Film Festival, where one reviewer correctly predicted its ultimate fate:
...the series may lay an egg on television because of its drawn-out and deliberate pacing, brutality, sex with violence and a hint of something else... something deadly, yet unseen and probably repulsive.
True enough in the long term. But short term, its first 6-episode season—in which FBI Special Agent Dale B. Cooper (Kyle Maclachlan) comes to town to investigate the murder of homecoming queen Laura Palmer (Sheryl Lee)—managed to enthrall the nation. The season finale, a cliffhanger in which Cooper is shot in the chest at point blank range by an unseen assailant, was sufficiently newsworthy to prompt Saturday Night Live to invite Maclachlan to host the show's 16th season premiere and propel the show's co-creator, David Lynch, onto the cover of Time magazine in anticipation of Peaks' 2nd season premiere. What are the chances either of those occurrences might ever happen again?

Tuesday, October 4, 2011

NYFF11 Movie Review: Melancholia

by Tony Dayoub


As the end of the world approaches, sensible Claire (Charlotte Gainsbourg) sits with her sister Justine (Kirsten Dunst) fretting about the way they should meet their doom. "You want us to all be together on the terrace, singing a song, surrounded by candles?" Justine asks. "You want to know what I think of your idea? It's shit. We should all meet at the toilet."

"Sometimes I really hate you," says Claire.

I'm not being glib when I say that Lars von Trier's apocalyptic Melancholia essentially boils down to this scene. It's suspenseful, laced with acrid black humor, and it explores the way each of us might face our own mortality — albeit in rather extreme circumstances — through one of the most realistic depictions of a relationship between two sisters I've yet to see onscreen. Von Trier being who he is — half-genius, half-overgrown prankster — Melancholia is reflective of both his propensity for staging gorgeous cinematic tableaux (like the ones depicted in a couple of these stills) and his tendency for capturing realism through improvisation and inappropriate humor.

Wednesday, May 21, 2008

DVD Review: 24 Season One Special Edition - Innovative First Season Finally Gets a Release Worthy of Its Significance

by Tony Dayoub

With the recent announcement of a 24 two-hour TV movie, premiering this fall on Fox, now is the perfect time for Fox to release a special edition of 24's first season. Fans are hungry. Season seven was supposed to premiere this past January, and in fact, a few episodes were completed. But then the writer's strike interfered. Rather than leave fans hanging between episodes while that business sorted itself out, Fox has instead rewarded patient fans with a two-hour movie. Meant to bridge the gap between season six and season seven, the movie is filming in South Africa (!), and is a significant way to lead in to the new season which takes place in Washington, D.C. (!!). These locations will no doubt prove to be quite the game-changers in a series that has a long tradition of game-changers. So much so, that the Job-like obstacles that have afflicted its hero, Jack Bauer (Kiefer Sutherland), were at this point bordering on self-parody. Let's go back in time to season one for a look at an innovative series that was just starting to affirm its strong identity.

Jack Bauer, family man and federal agent, is called back to the field to prevent an assassination attempt on Presidential candidate David Palmer (Dennis Haysbert). Unfortunately, the timing couldn't be worse, as Jack's teenage daughter, Kim (Elisha Cuthbert), has been missing since last night, and his recent restored marriage to Teri (Leslie Hope), may not survive the strain of the day's events. The plot is a somewhat traditional thriller scenario. What made the series unique was its structure. Each hour would take place in real time, so that by season's end, the twenty-four episodes would correspond to the twenty-four hours in a day, thus making it, as Bauer would remind us in the opening narration every week, "the longest day of [his] life."

The production crew and its creators weren't sure if they could pull this off. As co-creator Bob Cochran explains in the documentary "The Genesis of 24" (included in the set), without time-cuts every minute would have to be accounted for. For example, if character X gets on a five-hour flight, that means he'll be absent for five episodes, and you better have another subplot you can switch over to that will carry you through that wait. David Palmer's campaign, and Bauer's family's travails would prove to be essential components to the plot structure.

24 would innovate in other ways. Palmer would become the first black President, years before Obama's run as a viable candidate. The show's frenetic pace would influence future action thrillers, like the Bourne movies, and Mission: Impossible III. And Bauer's, at times savage, relentless pursuit of counter-intelligence would put his morally compromised character in the pantheon of TV's most memorable antiheroes. It's hard to remember that back then, there may have been only Tony Soprano or Andy Sipowicz of NYPD Blue to keep him company there. Today's TV landscape is strewn with such characters like Battlestar Galactica's Bill Adama or Lost's John Locke.

Most importantly, let's not forget that the first season struggled in the ratings. It's premiere on November 2001, which featured a plane blown up by a terrorist, was coming to viewers on the heels of 9/11. After thirteen episodes, Fox seemed to renew it only because of Sutherland's Golden Globe win for the role. Going into season two, Fox did something that would pioneer the way TV series and TV DVDs in particular would continue in the future. Conscious of the show's addictive nature which invite viewers to watch the shows in large blocks of episodes, they released a quickie DVD version of season one to prepare uninitiated viewers before the second season premiere. Relying on the core fans to promote the DVD set to their friends by word-of-mouth, the gambit worked, as the second season premiered to higher ratings. And after American Idol premiered as the 24's lead-in, it really took off.

Season one's previous DVD version was bare-bones. To correct that, a special-edition was released this week with added features, such as the aforementioned documentary, and commentaries on the premiere and season finale episodes by the cast and crew of the show. It elevates the season one shows to the same level as the rest of the show on DVD. It is well worth your time and money to purchase this set, especially to relive the first season while you wait for season seven.