Showing posts with label Logan Lerman. Show all posts
Showing posts with label Logan Lerman. Show all posts
Thursday, October 16, 2014
Movie Review: Fury (2014)
by Tony Dayoub
Writer-director David Ayer crafts another fine look at the way shared violent experiences form a tenuous brotherhood among men with Fury. Set in the final days of World War II's European Theater, the movie follows a Sherman tank, christened "Fury," and its battle-hardened crew led by Staff Sergeant Don "Wardaddy" Collier (Brad Pitt). Among Wardaddy's crew are the God-fearing "Bible" (Shia LaBeouf), wisecracking "Gordo" (Michael Peña), and the crude "Coon-Ass" (Jon Bernthal). After losing one of their drivers, the tight-knit unit is saddled with a virtual rookie plucked from the clerical corps, Private Norman Ellison (Logan Lerman). Norman is our way into this predictably episodic depiction of the horrors of war, one that becomes a surprisingly stylish and at times contemplative suspense film punctuated by short, intense bursts of violence.
Friday, March 28, 2014
Movie Review: Noah (2014)
by Tony Dayoub
If I were to review a film simply for its ambition, then Noah would get some of my most positive praise. Director Darren Aronofsky offers some truly enlightening perspective on the story. He also continues to explore themes present in all of his work. His Noah (Russell Crowe) is a true believer whose fervent passion not only flirts with madness but is consumed by it. Then there are the visual touches that serve not only to illustrate the vaguest portion of the Bible, the Book of Genesis, but also double as a means of marrying our contemporary knowledge of evolution to the more fantastic element of creationism in a way that asserts one need not necessarily exist independently of the other. There is a lot to chew on in this new, grimmer take on Noah and the ark he built to save his family and the animal kingdom from a flood meant to blot out the men. But if I were only to grade a film on ambition then I'd have to ignore the problematic mistakes of other bold films that try tackling complex narratives—movies like The Bonfire of the Vanities, Dune, and Heaven's Gate—spectacles which fail spectacularly.
If I were to review a film simply for its ambition, then Noah would get some of my most positive praise. Director Darren Aronofsky offers some truly enlightening perspective on the story. He also continues to explore themes present in all of his work. His Noah (Russell Crowe) is a true believer whose fervent passion not only flirts with madness but is consumed by it. Then there are the visual touches that serve not only to illustrate the vaguest portion of the Bible, the Book of Genesis, but also double as a means of marrying our contemporary knowledge of evolution to the more fantastic element of creationism in a way that asserts one need not necessarily exist independently of the other. There is a lot to chew on in this new, grimmer take on Noah and the ark he built to save his family and the animal kingdom from a flood meant to blot out the men. But if I were only to grade a film on ambition then I'd have to ignore the problematic mistakes of other bold films that try tackling complex narratives—movies like The Bonfire of the Vanities, Dune, and Heaven's Gate—spectacles which fail spectacularly.
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