by Tony Dayoub
Earlier this year we lost a frequent collaborator of his, Dede Allen; now comes the sad word of director Arthur Penn's passing. Together, they were formidable in establishing the rhythms that would go on to define American cinema of the seventies with the seminal Bonnie and Clyde (1967). But one look at the Twitter page today demonstrates how unappreciated Penn was outside of this landmark film.
Showing posts with label Night Moves. Show all posts
Showing posts with label Night Moves. Show all posts
Wednesday, September 29, 2010
Sunday, April 18, 2010
Dede Allen
by Tony Dayoub
We often speak of the auteurial era of the seventies that was ushered in by director Arthur Penn and actor-producer (and future direcor) Warren Beatty with their collaboration on Bonnie and Clyde. But surely one of the seminal moments in the launch of that chapter is the explosive, grim, and finally violent, finale of this "lovers-on-the-run" landmark. In honor of Dede Allen, the editor who crafted some of the most suspenseful sequences in film (the recommendations I list at the end are only the ones I've actually seen; her filmography is even more illustrious than what I give her credit for), here is the sequence she is best known for (if you've never seen it, viewer discretion is advised)...
We often speak of the auteurial era of the seventies that was ushered in by director Arthur Penn and actor-producer (and future direcor) Warren Beatty with their collaboration on Bonnie and Clyde. But surely one of the seminal moments in the launch of that chapter is the explosive, grim, and finally violent, finale of this "lovers-on-the-run" landmark. In honor of Dede Allen, the editor who crafted some of the most suspenseful sequences in film (the recommendations I list at the end are only the ones I've actually seen; her filmography is even more illustrious than what I give her credit for), here is the sequence she is best known for (if you've never seen it, viewer discretion is advised)...
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