TV Review: Luck: Season 1, Episode 8

by Tony Dayoub

Given the plentiful violence found in previous shows by executive producers Michael Mann and David Milch, early speculation on what Luck would feel like often ended up somewhere in The Sopranos territory. After all, Luck would take place in the shady world of gambling. Its cast would sport tough-guy actors like Nick Nolte and Dennis Farina. And it would air on HBO, which some say is at its most successful when exploring violent worlds like those of The Wire and Boardwalk Empire. Eight episodes in, it's safe to say that this at times sweet show about the community forming around the Santa Anita Race Track is nothing like that. But in this, the series's penultimate episode, Sopranos director Allen Coulter gives us a taste of what the darker Luck many of us had been wishing for might have been like. And it isn't pretty.

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TV Review: Luck: Season 1, Episode 6

by Tony Dayoub

There's no getting around the fact that this week's episode of Luck, written by Robin Shushan and directed by Henry Bronchtein, was overstuffed with exposition. Last week's entry was a bit of a respite after the turning point that was the fourth episode, letting us take in the state of some of the characters midseason. This week's episode is one where David Milch and the writers start setting the plates into motion that will keep spinning all the way until the first season concludes three weeks from now. As such, much of the plot mechanics are a little more obvious, particularly in the storyline involving Ace's (Dustin Hoffman) scheme to get back at former partner-in-crime Mike (Michael Gambon). So, given that Luck is strongest when the show is at its most elusive, eliding past plot points to get to a deeper truth, the strongest thread this week belonged to stammering jockey agent Joey Rathburn (Richard Kind), whose simmering financial/professional tensions have finally come to a boil.

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TV Review: Luck: Season 1, Episode 5

by Tony Dayoub

After the emotional high points reached in last week's installment of Luck, it's only natural that this week's episode, written by Scott Willson and directed by Brian Kirk, feels a bit like a come-down. But the seeming pause in the action allows for revelatory moments of introspection which will inform the plot developments that arise as the first season heads into its backstretch. Characteristic of such introspection is the opening shot, trained on a reflection of Ace (Dustin Hoffman) before reframing on the man himself. Using mirrors both literal and figurative, this episode reminds us that three of Luck's characters, Ace, Joey (Richard Kind), and Marcus (Kevin Dunn), each bluff their way through many of their personal dealings considering their hidden good nature.

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TV Review: Luck: Season 1, Episode 2

by Tony Dayoub

Last week, Luck's introductory episode concluded with an exhilarating race that ended badly. The horse that "bug boy" (named for the bug-like asterisk that follows the jockey's name in the racing forms, signifying his apprentice status) Leon rode was put down after its front legs broke. That tragedy still hangs over the main plot of this episode (unlike most shows, Luck isn't naming its episodes). But it also thrusts Leon into a kind of limbo reflective of all of the show's characters. It's in this episode where one is first able to grasp how the different permutations of fortune (good, bad, indifferent) have washed the show's ensemble ashore onto the pretty and slightly desolate beach that is Arcadia's Santa Anita Park.

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TV Review: Luck: Season 1, Episode 1, "Pilot"

by Tony Dayoub

Ace: Generally, how'd he look?
Gus: What do I know, Ace? All four of his legs reach the ground.

That exchange, between two of the leads on the new HBO series Luck, concerns Pint of Plain, the race horse that Chester "Ace" Bernstein (Dustin Hoffman) owns by way of his driver and bodyguard Gus Demetriou (Dennis Farina). Gus is fronting for Ace, who's recently been released from prison and can't legally own a horse until he's off parole. But he knows as much about horse racing as most viewers probably do—which is to say, not much. Those expecting to get a primer on the sport will be disappointed by Luck's first episode, written by creator David Milch (Deadwood) and directed by his co-executive producer, Michael Mann. But that's not a criticism; what Milch and Mann have always been most effective at is getting to the substance of a specific subculture through stylistic means.

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