The best of Elizabeth on DVD
by Tony Dayoub
By now, many have eulogized the legendary Liz Taylor. So I'll instead celebrate the most notable of what's available on DVD. More than a simple "best of," I really hope to showcase her most significant performances, with an eye toward the quality of their video presentation as well.
Showing posts with label Who's Afraid of Virginia Woolf?. Show all posts
Showing posts with label Who's Afraid of Virginia Woolf?. Show all posts
Friday, March 23, 2012
Wednesday, March 23, 2011
Elizabeth Taylor
by Tony Dayoub
"Seems like we always spend the best part of our time just saying goodbye."
One of cinema's most iconic stars is gone. Certainly there has never been an actor who had gained as much attention for her personal life as she had for her work like Elizabeth Taylor. Married eight times, twice to the volatile love of her life, actor Richard Burton, Taylor seemed to weather scandal easily. She had been in the public eye since childhood, when she starred in such movies as Lassie Come Home (1943) and National Velvet (1944). Perhaps it was the casual way she managed the lifelong attention she received from the press that helped her comfort damaged souls like Montgomery Clift and Michael Jackson, close friends of hers, through their own public trials and tribulations. Since many of the countless tributes yet to be seen in the next few days will focus on her personal life, I'd like to talk about several of her roles which have shone brightest for me.
"Seems like we always spend the best part of our time just saying goodbye."
-Elizabeth Taylor as Angela Vickers in A Place in the Sun (1951)
One of cinema's most iconic stars is gone. Certainly there has never been an actor who had gained as much attention for her personal life as she had for her work like Elizabeth Taylor. Married eight times, twice to the volatile love of her life, actor Richard Burton, Taylor seemed to weather scandal easily. She had been in the public eye since childhood, when she starred in such movies as Lassie Come Home (1943) and National Velvet (1944). Perhaps it was the casual way she managed the lifelong attention she received from the press that helped her comfort damaged souls like Montgomery Clift and Michael Jackson, close friends of hers, through their own public trials and tribulations. Since many of the countless tributes yet to be seen in the next few days will focus on her personal life, I'd like to talk about several of her roles which have shone brightest for me.
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