by Tony Dayoub
One of the unfortunate effects of cramming the viewing of so many awards-worthy films into the final months of the year is that a movie like Grudge Match ends up looking quite thin in comparison. No, this comedy-drama isn't a dramatic or technical heavyweight, if you'll pardon the pun, like others currently in release. But if it'd open just a month from now, in the winter doldrums just preceding the Oscars, it might be judged differently. Robert De Niro slums a bit, rehashing a lot of his Raging Bull tics in service of a turn that's more a parody than a performance. But Sylvester Stallone builds on his Rocky past in his continual bid to prove he can hold his own with more renowned actors.
Showing posts with label boxing. Show all posts
Showing posts with label boxing. Show all posts
Friday, December 27, 2013
Monday, December 20, 2010
Movie Review: The Fighter (2010)
by Tony Dayoub
It doesn't even take as long as you'd think. In fact, it begins during the opening credits for The Fighter. Christian Bale, already being lauded for his "scene-stealing" turn as the crack-addicted former boxer Dicky Eklund, starts showboating. And then, as he walks through his neighborhood with the film's ostensible star—Mark Wahlberg playing Eklund's brother Micky Ward—with a camera crew and some locals (surely non-actors given their earthy, blank-faced realism) gathered around them, someone stops to take a picture of Micky and one of the groupies, and Bale photo-bombs the shot with his hyperactive mugging. It's a moment indicative of the movie's flaws. Director David O. Russell (Three Kings), often portrayed as a control freak of the worst kind, gives up control to the manically cocky Bale, and The Fighter buckles to its knees.
It doesn't even take as long as you'd think. In fact, it begins during the opening credits for The Fighter. Christian Bale, already being lauded for his "scene-stealing" turn as the crack-addicted former boxer Dicky Eklund, starts showboating. And then, as he walks through his neighborhood with the film's ostensible star—Mark Wahlberg playing Eklund's brother Micky Ward—with a camera crew and some locals (surely non-actors given their earthy, blank-faced realism) gathered around them, someone stops to take a picture of Micky and one of the groupies, and Bale photo-bombs the shot with his hyperactive mugging. It's a moment indicative of the movie's flaws. Director David O. Russell (Three Kings), often portrayed as a control freak of the worst kind, gives up control to the manically cocky Bale, and The Fighter buckles to its knees.
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