Google+ Cinema Viewfinder: heist thriller
Showing posts with label heist thriller. Show all posts
Showing posts with label heist thriller. Show all posts

Tuesday, January 14, 2014

Blu-ray Review: Thief (1981)

by Tony Dayoub


"Lie to no one. If they're somebody close to you, you're gonna ruin it with a lie. And if they're a stranger, who the fuck are they you gotta lie to?" In Michael Mann's Thief, this advice from imprisoned master thief David "Okla" Bertinneau (Willie Nelson) is given to his protégé Frank (James Caan) from behind a glass separating the two during a visit at Joliet Correctional Center. And Frank not only heeds it; one could say he can't deviate from its straight, simple line for very long. A highline safecracker who only steals uncut gems, the "true blue" Frank is also quick to cut and run if his operation is endangered. He keeps any sort of attachments to a minimum because of how unguarded they make him to the men on both sides of the law who often come around extorting him for a taste of his action. It's a nihilistic defense mechanism Frank learned after a gang rape in prison left him so dejected that he realized he literally had nothing left to lose; his lack of vulnerabilities made him impervious to any further retribution.

Monday, July 19, 2010

Ruminations on Inception

by Tony Dayoub


I've been told countless times, "I bet you're analyzing a movie the entire time you're watching it." My response is usually some variation on, "Well, if it's good, if I'm emotionally engaged, my mind is too wrapped up to spend any time picking the movie apart." Christopher Nolan's films are a conundrum then, because I do believe they are good, but I'm often not emotionally engaged, and always picking them apart. In this respect, the polarizing Inception is no different and, in fact, may be the epitome of just such a film.

Tuesday, July 15, 2008

DVD Review: The Bank Job - Intricate Heist Thriller is Worth a Look

by Tony Dayoub



My DVD pick this week is this spring's sleeper hit, The Bank Job, directed by Roger Donaldson (Thirteen Days). This little gem surprised me. I admire its streamlined "all business" procedural attitude, and the fact that not a minute is wasted on extraneous character touches. Note the use of the word "extraneous," for it doesn't mean that character personalities are ignored. Just the opposite, as each character's personality facets appears as an organic result of the ever-moving plotline. And each actor ably highlights their respective moment without forgetting to support the overall story or stumbling to outshine their costars.

The film takes place in the seventies, and Britain's Princess Margret is photographed having a three way tryst while on vacation. A black militant (Peter De Jersey) in possession of these photographs hides them to protect himself from reprisals from the authorities over his activities. Beautiful Martine (Saffron Burrows) is used by MI5 to get to the photographs, hidden in a safety deposit box in a bank on Baker Street in London. Martine convinces her childhood pals, a rough lot led by Terry (Jason Statham), to rob the bank, ostensibly for the money since she doesn't make them aware of the real object of the heist. As Terry and his crew discover, there is much more going on under the surface, and Martine may have just endangered not only their lives, but their families' as well.

Though it is supposedly based on true events, there is little information available to confirm these claims. But that does not hinder one's enjoyment of the film. Its period setting evokes the classic British gangster films of the seventies, such as Get Carter, with their slick style and cold brutality.

Statham (The Transporter) is used to great effect here, bringing humor and a lion's ferocity to the role of down-on-his-luck family-man Terry. While there is an obvious attraction between childhood friend Martine and himself, the movie never wastes any time pursuing this incidental plot point up to its predictable dead end. It wisely focuses on the intricate plotline that eventually involves the seedy Soho porn industry, an S & M madam, and even the House of Lords.

Burrows (Deep Blue Sea) again proves herself to be more than just a pretty face. The former model is easily able to create the aura of casual glamor that the grownup Martine projects, while also evoking the more down-to-earth childhood pal that the heist crew grew up with. Equally comfortable carrying on her affair with a mysterious MI5 spy, but naive enough to fall prey to his manipulations in pursuit of the scandalous pictures, Burrows demonstrates she's got acting chops to spare.

Available today on single and 2-disc standard DVD, or 2-disc Blu-Ray, the single disc standard is a movie only disc, while both 2-disc versions contain extended scenes, the "Inside The Bank Job" and "The Baker Street Bank Raid" featurettes, the theatrical trailer, and a Digital Copy version of the film.

For those who miss the cool efficiency of the heist film, or the expert drama of seventies-era film, The Bank Job is the perfect DVD to see this week.

This entry first appeared on Blogcritics on 7/15/2008.

Saturday, March 29, 2008

Movie Review: Flawless - Contrivances sink British thriller

by Tony Dayoub

Calling a film Flawless is certainly asking for it to live up to a lot. I think it was Glenn Kenny, of Premiere, that recently brought this up in regards to another film with a similar name. He was implying that critics sharpen their knives when confronted with a name like that. And a recent survey of some of the titles of the reviews for this bank heist movie confirms Mr. Kenny's theory. Of course, if you're Michael Radford (Il Postino), the director, wouldn't you do your best to avoid any such attacks by excising any potential pitfalls from your film?