by Tony Dayoub
Two vastly different documentaries impressed me at yesterday's press screenings. Each in their own way, Inside Job and Boxing Gym take subjects we already think we know about and make them more accessible to the viewer, and isn't that what the best of such films do?
Thursday, September 30, 2010
Tony Curtis
by Tony Dayoub
Tony Curtis lived the Hollywood dream. Born Bernard Schwartz not too far from where I now write this, in the Bronx, he changed his name when he started getting film gigs. His matinee idol looks and youthful energy usually saw him cast opposite older stars as the hotheaded rival in early films like Trapeze (1956), Sweet Smell of Success (1957), and The Vikings (1958). Curtis' perfectly coiffed black pompadour, in fact, inspired Elvis to dye and style his own hair in the same manner. But knowing his looks wouldn't last forever drove his need to play more substantial parts.
Tony Curtis lived the Hollywood dream. Born Bernard Schwartz not too far from where I now write this, in the Bronx, he changed his name when he started getting film gigs. His matinee idol looks and youthful energy usually saw him cast opposite older stars as the hotheaded rival in early films like Trapeze (1956), Sweet Smell of Success (1957), and The Vikings (1958). Curtis' perfectly coiffed black pompadour, in fact, inspired Elvis to dye and style his own hair in the same manner. But knowing his looks wouldn't last forever drove his need to play more substantial parts.
Wednesday, September 29, 2010
Arthur Penn
by Tony Dayoub
Earlier this year we lost a frequent collaborator of his, Dede Allen; now comes the sad word of director Arthur Penn's passing. Together, they were formidable in establishing the rhythms that would go on to define American cinema of the seventies with the seminal Bonnie and Clyde (1967). But one look at the Twitter page today demonstrates how unappreciated Penn was outside of this landmark film.
Earlier this year we lost a frequent collaborator of his, Dede Allen; now comes the sad word of director Arthur Penn's passing. Together, they were formidable in establishing the rhythms that would go on to define American cinema of the seventies with the seminal Bonnie and Clyde (1967). But one look at the Twitter page today demonstrates how unappreciated Penn was outside of this landmark film.
Monday, September 27, 2010
NYFF10 Movie Review: Film Socialisme (2010)
by Tony Dayoub
Full disclosure: I'm the last one you want to ask about either Jean-Luc Godard (of his films, I've seen a sum total of 2 full-length features and one short, all pre-1990) or avant-garde film. I know much about the pionering French director from books and my studies in college almost 20 years back. But his films, indeed all films, are to be experienced. As for the avant-garde, it is a type of cinema I have always had trouble appreciating. I'm not judging it, mind you. If anything, it is my limited ability to comprehend them that I blame. So if this review is somewhat vague, or I sound out of my depth, please forgive me. What I can say is that the somewhat mystifying Film Socialisme is oddly enthralling even to an ignorant fellow like myself.
Full disclosure: I'm the last one you want to ask about either Jean-Luc Godard (of his films, I've seen a sum total of 2 full-length features and one short, all pre-1990) or avant-garde film. I know much about the pionering French director from books and my studies in college almost 20 years back. But his films, indeed all films, are to be experienced. As for the avant-garde, it is a type of cinema I have always had trouble appreciating. I'm not judging it, mind you. If anything, it is my limited ability to comprehend them that I blame. So if this review is somewhat vague, or I sound out of my depth, please forgive me. What I can say is that the somewhat mystifying Film Socialisme is oddly enthralling even to an ignorant fellow like myself.
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