Showing posts with label Common. Show all posts
Showing posts with label Common. Show all posts
Wednesday, December 24, 2014
Movie Review: Selma (2014)
by Tony Dayoub
Director Ava Duvernay smartly avoids the usual obstacles filmmakers have encountered when bringing the life of Martin Luther King, Jr. to the screen. Selma avoids all the pitfalls of the traditional biopic by instead focusing on a particularly reprehensible flashpoint in the American Civil Rights struggle, the events surrounding March 7, 1965, "Bloody Sunday," and how they ultimately led to the passing of the 1965 Voting Rights Act. By homing in on this historical moment, Duvernay is able to give us a snapshot of the era, put us in the shoes of African American activists, the Southern whites hanging on to their fading power structure, even the President himself, Lyndon B. Johnson (Tom Wilkinson). In Selma, Duvernay has crafted a singular cinematic experience that stands alone among those attempting to communicate the turmoil of the Civil Rights era and the power of the Reverend Dr. King, powerfully played by David Oyelowo. Selma is absorbing, measured, and eloquent, much like the man at its center.
Thursday, January 17, 2013
Star's Soulfulness Lends Some Weight to LUV
by Tony Dayoub
Opening tomorrow in a limited number of theaters is LUV, an indie crime thriller that far outpaces the studio release I reviewed yesterday. Like with Broken City, a powerhouse cast led by Common (Smokin' Aces) and Dennis Haysbert (Heat) bring a soulfulness and gravitas to what otherwise might have been your average urban noir. But despite some minor flaws in its structure, LUV is able to transcend its modest budget to become something greater. Without ever falling into empty preachiness, LUV seems to possess a social consciousness that eludes the other film.
Opening tomorrow in a limited number of theaters is LUV, an indie crime thriller that far outpaces the studio release I reviewed yesterday. Like with Broken City, a powerhouse cast led by Common (Smokin' Aces) and Dennis Haysbert (Heat) bring a soulfulness and gravitas to what otherwise might have been your average urban noir. But despite some minor flaws in its structure, LUV is able to transcend its modest budget to become something greater. Without ever falling into empty preachiness, LUV seems to possess a social consciousness that eludes the other film.
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