by Tony Dayoub
I admit it's something of a misnomer to call Rock Hudson's performance in Seconds underrated. For years, Hudson has been praised for his turn in the John Frankenheimer thriller and deservedly so. But ask even the most avid film buff if they've seen the movie and you usually get something along the lines of, "I keep meaning to, but I just haven't gotten to it yet." Well, that should change after today with the Criterion Collection's new Blu-ray release.
Showing posts with label James Wong Howe. Show all posts
Showing posts with label James Wong Howe. Show all posts
Tuesday, August 13, 2013
Tuesday, July 6, 2010
Movie Review: The Outrage (1964)
by Tony Dayoub
Martin Ritt's The Outrage is one of the more offbeat stabs Hollywood has taken at westernizing (both in the literal and the genre sense) a Kurosawa film. Like The Magnificent Seven (1960) before it, as well as the former's Italian contemporary, A Fistful of Dollars (1964), the change of setting from feudal Japan to the Old West may seem at first glance to be the only difference in this almost scene-for-scene translation of the Japanese director's Rashomon. But Rashomon's focus on the perception of moral responsibility subtly shifts to a study of class hierarchy in this ambitious, more deliberately-paced, dreamlike western.
Martin Ritt's The Outrage is one of the more offbeat stabs Hollywood has taken at westernizing (both in the literal and the genre sense) a Kurosawa film. Like The Magnificent Seven (1960) before it, as well as the former's Italian contemporary, A Fistful of Dollars (1964), the change of setting from feudal Japan to the Old West may seem at first glance to be the only difference in this almost scene-for-scene translation of the Japanese director's Rashomon. But Rashomon's focus on the perception of moral responsibility subtly shifts to a study of class hierarchy in this ambitious, more deliberately-paced, dreamlike western.
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