by Tony Dayoub
Today is the fifteenth, the point mid-month when the Criterion Collection typically reveals what new DVDs and Blu-rays they have in store for us three months from now. As we await with bated breath, let's take a brief look at two of their newest Blu-ray releases, the classic Seven Samurai (Shichinin no samurai) and The Magician (Ansiktet).
Showing posts with label Akira Kurosawa. Show all posts
Showing posts with label Akira Kurosawa. Show all posts
Friday, October 15, 2010
Tuesday, July 6, 2010
Movie Review: The Outrage (1964)
by Tony Dayoub
Martin Ritt's The Outrage is one of the more offbeat stabs Hollywood has taken at westernizing (both in the literal and the genre sense) a Kurosawa film. Like The Magnificent Seven (1960) before it, as well as the former's Italian contemporary, A Fistful of Dollars (1964), the change of setting from feudal Japan to the Old West may seem at first glance to be the only difference in this almost scene-for-scene translation of the Japanese director's Rashomon. But Rashomon's focus on the perception of moral responsibility subtly shifts to a study of class hierarchy in this ambitious, more deliberately-paced, dreamlike western.
Martin Ritt's The Outrage is one of the more offbeat stabs Hollywood has taken at westernizing (both in the literal and the genre sense) a Kurosawa film. Like The Magnificent Seven (1960) before it, as well as the former's Italian contemporary, A Fistful of Dollars (1964), the change of setting from feudal Japan to the Old West may seem at first glance to be the only difference in this almost scene-for-scene translation of the Japanese director's Rashomon. But Rashomon's focus on the perception of moral responsibility subtly shifts to a study of class hierarchy in this ambitious, more deliberately-paced, dreamlike western.
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