Movie Review: The Girl Who Kicked the Hornet's Nest (2009)

by Tony Dayoub

Last time we saw her, Lisbeth Salander (Noomi Rapace) had uncovered a conspiracy involving men at the highest level of her government, all protecting her cruel Soviet father, Alexander Zalachenko (Georgi Staykov), who Lisbeth had once torched in retaliation for beating her mother. Salander had penetrated this veil of secrecy with her super-computer-hacking powers, ass-kicking prowess, and a little help from Millennium Magazine reporter Mikael Blomkvist (Michael Nyqvist). But the final confrontation between Salander and Zalachenko—a clean-up man for the shadowy organization behind the movie's conspiracies—left both of them bloodied, broken, and near death, while Zalachenko's near-invulnerable enforcer—and Salander's half-brother—the giant Niedermann, had disappeared. The Girl Who Kicked the Hornet's Nest continues from this point.

Blu-ray Review: Criterion's Seven Samurai (Shichinin no samurai) (1954) and The Magician (Ansiktet) (1958)

by Tony Dayoub

Today is the fifteenth, the point mid-month when the Criterion Collection typically reveals what new DVDs and Blu-rays they have in store for us three months from now. As we await with bated breath, let's take a brief look at two of their newest Blu-ray releases, the classic Seven Samurai (Shichinin no samurai) and The Magician (Ansiktet).

Movie Review: The Girl Who Played with Fire (2009)

by Tony Dayoub

This time it's personal.

During the mid-eighties, at the height of the suspense genre in America, when audiences would develop an attachment to a star like Clint Eastwood or Charles Bronson over a span of several movies in some series of crime thrillers, this seemingly ubiquitous tag line usually resided somewhere on the poster for the sequel, implying we were going to find out more about our hero's background in the sophomore movie since we enjoyed the character so much in the first. The truth is I can only find one real reference to this tag line in cinema, and that is for the fourth entry in the Jaws series, Jaws: The Revenge (but it felt widespread enough that Back to the Future Part II makes a small joke about it with a Jaws 19 poster that reads "This time it's really really personal"). A sequel starring large-scale central characters inevitably turns inward to examine its own protagonists, let the audience know what makes them tick. So it's not unexpected that The Girl Who Played with Fire would follow suit, justifying the use of such a tag line by turning its focus on the enigmatic Lisbeth Salander. The second part in this Swedish suspense trilogy digs deeper into the pierced, emo-looking, kickboxing, computer-hacking basket case so intriguingly played by Noomi Rapace in the earlier The Girl with the Dragon Tattoo (2009). But does it find anything there to sustain our interest?

Blu-ray Review: The Seventh Seal (Det Sjunde Inseglet) (1957)

One of the best films ever made, The Seventh Seal (Det sjunde inseglet), gets a rewarding bit of sprucing up for Criterion's new Blu-ray edition. This movie must have been a shock of the first order to audiences expecting a follow-up to Ingmar Bergman's previous film, Smiles of a Summer Night (1955). That romantic comedy was all the rage at the Cannes Film Festival in 1956. But what an about-face Bergman decided to do when he followed it with this highly theatrical and symbolic look at man's relationship with God and death. Set in medieval times, the movie follows Antonious Block (Max von Sydow), a disillusioned knight on his journey home from the Crusades. His travelling companion and squire, Jöns (Gunnar Björnstrand), tries to leaven their weary spirits with gallows humor. But only the knight is aware of another shadowy figure making the journey with them... Death (Bengt Ekerot). Though Block has felt the spectre of Death throughout his trip home, it is only when confronted with the shadowy figure on a beach that he decides to challenge him to a game of chess, hoping to forestall his demise long enough to seek a better understanding of God and the afterlife in the interim. This central image drives Bergman's weighty philosophical examination of the metaphysical, as he admits in one of the most interesting special features ever to be included on a disc, Marie Nyreröd's documentary Bergman Island (2004). It is a fascinating three-part exercise that has the director candidly examining his work and his life (near the time of his death in 2007) from his home in the island of Fårö. The doc is substantial and significant enough that the film curators at Criterion decided to release it separately on DVD for those who do not get The Seventh Seal on Blu-ray. Still, you are really missing out if you don't take advantage of having the two on the same Blu-ray disc. Gunnar Fischer's cinematography for The Seventh Seal is the prime beneficiary of the Blu-ray's enhancements. Compare this version of Seal to its original release on Criterion back in 1999. As I keep reiterating on this site, there is no film with which one can appreciate the value of Blu-ray the best as a cinema classic like Seal. The richness of the black-and-white deep-focus photography—as in the sharp detailing of a bird's-eye shot of the coastal rocks through which Block and Jöns pass on their way home—is a revelation to viewers who've only seen the murkier versions of this shadowy film. Now, instead of one big blotchy black, there are gradations of grey within the shadows. For those who've never seen this classic of world cinema, Criterion's Blu-ray of The Seventh Seal is the way to do it. Don't confuse its grim, heavy subject with its running time, either. This movie is light on its feet, and with a 97-minute running time, moves pretty damn fast through some deep thoughts on humanity relative to its own extinction—which considering the world economic crisis, and North Korea's recent aggressive posturing, still manages to be relevant today. The Seventh Seal is available on Criterion Blu-ray and standard DVD tomorrow. Bergman Island is available on standard DVD tomorrow.