TV Review: Sons of Anarchy: Season Seven

by Tony Dayoub

If the first few episodes of Sons of Anarchy's final season are any indication, then the series is going down in the same manner it started: as a tragedy of Shakespearean proportions, with the eponymous motorcycle club's royal family and their dysfunctional dynamics at the heart of what ails its crown prince. Jax (Charlie Hunnam) is as dark and vengeful this season as he was bright and optimistic just before his wife Tara's shocking demise. SAMCRO is licking their wounds while preparing to once again make their ascendance in their town of Charming. And Jax's mother, Gemma (Katey Sagal), is alternately remorseful and gratified that sacrificing Tara allowed her to preserve the strength of her two fractured families: Jax and his young sons and the motorcycle club.

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Movie Review: Mother and Child

by Tony Dayoub

In contemporary cinema, Alejandro González Iñárritu (Babel) has created a whole cottage industry around melodramas starring ensemble casts in which seemingly disconnected plotlines ultimately converge to impart some moral lesson. So it is no surprise to see his name attached (as executive producer) to Mother and Child, a drama about motherhood, child abandonment, and adoption written and directed by Rodrigo García. While I'm no fan of Iñárritu's heavyhanded approach to what is already supposed to be a rather high-strung genre, what attracted me to see this film is director García, who I discovered for his sensitive attention to actors when he was writing, directing, and showrunning HBO's wonderful psychodrama In Treatment, a show so unlike any other, I once listed its serialized first season as one of the best films of 2008. Just as in that series, Mother and Child's strongest component is the acting by its uniformly spectacular cast.