Both film noir and philosophical exploration of the current state of Catholicism, Calvary is curiously resonant in spite of, or maybe because of, its fusion of widely discordant elements. Reflecting its fractured nature, Calvary could be said to work as either a black comedy or a grim drama, a character study with a definitive central performance by Brendan Gleeson as Father James or an ensemble piece featuring the eclectic cast of oddballs that make up his congregation. Whatever the case, it is quite powerful in all respects, setting out to delineate the beleaguered priest and his not so loyal flock through a passion story of a sort, propelled by an arresting opening scene.
, is languishing in the On Demand sector rather than getting major distribution in theaters or even on DVD.
, 
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, he quickly made the transition to director. With 
(1970), he was called upon to co-direct with the movie's writer Donald Cammell. This film is the first to feature his now oft-imitated non-linear techniques in storytelling. Though the movie faced some controversy due to its explicit sexuality (a recurring issue in Roeg's career), it propelled him to early success.