by Tony Dayoub
Sabotage is a visceral (literally) new white-knuckler that often turns on some fairly surprising plot twists. Arnold Schwarzenegger plays John "Breacher" Wharton, a legendary DEA agent who leads a squad of unruly undercover agents that also happen to be about the best there are at what they do. The nervy prologue shows us the team in action. Lizzy (Mireille Enos) has infiltrated a party at a drug lord's mansion pretending to be a hooker. Breacher makes the requisite macho joke to her husband "Monster" (Sam Worthington) about how she may be the one with the bigger balls. The rest of the roughneck crew—Grinder (Joe Manganiello), Neck (Josh Holloway), Pyro (Max Martini), and Sugar (Terrence Howard)—all have a laugh before they get to work breaking in after her to confiscate the cash. They funnel $10 million of it down into the sewer by way of a toilet filthier than the one in Trainspotting, burn the rest, and manage to exit with the loss of only one life. Which is to say, drug enforcement is the dirtiest of jobs, and it takes this type-A boys club and the kind of woman that can keep up with them to get it done. But before they can retrieve the cash and tag it for evidence, it's already gone missing. Someone on their team can't be trusted.
Showing posts with label Olivia Williams. Show all posts
Showing posts with label Olivia Williams. Show all posts
Thursday, March 27, 2014
Friday, September 28, 2012
NYFF50 Review: Hyde Park on Hudson
by Tony Dayoub
You would expect a film with a stately title like Hyde Park on Hudson to be the sort of movie one characterizes as "pleasant" or "charming." And in fact, it is both of those. But Hyde Park on Hudson is also quite extraordinary. Director Roger Michell (Notting Hill), whose work until now I'd characterize as yeoman, seems inspired by his subject in this film. Hyde Park on Hudson depicts a quiet summit held by President Franklin Delano Roosevelt (Bill Murray) and King George VI (Samuel West) at FDR's upstate New York estate—as seen through the eyes of his distant cousin and secret lover, Daisy Suckley (Laura Linney).
You would expect a film with a stately title like Hyde Park on Hudson to be the sort of movie one characterizes as "pleasant" or "charming." And in fact, it is both of those. But Hyde Park on Hudson is also quite extraordinary. Director Roger Michell (Notting Hill), whose work until now I'd characterize as yeoman, seems inspired by his subject in this film. Hyde Park on Hudson depicts a quiet summit held by President Franklin Delano Roosevelt (Bill Murray) and King George VI (Samuel West) at FDR's upstate New York estate—as seen through the eyes of his distant cousin and secret lover, Daisy Suckley (Laura Linney).
Sunday, April 10, 2011
Movie Review: Hanna (2011)
by Tony Dayoub
One online review compares Hanna, the new actioner by Joe Wright (Atonement), to the story of "Little Red Riding Hood," a rather facile analogy based on the appearance of a giant Big Bad Wolf's head at a Grimm's Fairy Tale-themed amusement park in the film. But one need only look at the film's eponymous albino heroine to see that the more apt analogy is to Grimm's "Snow White." Like in that story, a heroine must initially depend on the protection of a huntsman in order to evade an evil stepmother who plots to kill her. Where it differs is that the self-reliant Hanna (Saoirse Ronan) never needs a dashing prince to rush to her rescue. She, instead, capitalizes on the survivalist education imparted to her by a rogue spy, Erik Heller (Eric Bana), in order to outmaneuver her pursuer, Marissa Wiegler (Cate Blanchett), a lethal CIA operative who holds the key to Hanna's genesis.
One online review compares Hanna, the new actioner by Joe Wright (Atonement), to the story of "Little Red Riding Hood," a rather facile analogy based on the appearance of a giant Big Bad Wolf's head at a Grimm's Fairy Tale-themed amusement park in the film. But one need only look at the film's eponymous albino heroine to see that the more apt analogy is to Grimm's "Snow White." Like in that story, a heroine must initially depend on the protection of a huntsman in order to evade an evil stepmother who plots to kill her. Where it differs is that the self-reliant Hanna (Saoirse Ronan) never needs a dashing prince to rush to her rescue. She, instead, capitalizes on the survivalist education imparted to her by a rogue spy, Erik Heller (Eric Bana), in order to outmaneuver her pursuer, Marissa Wiegler (Cate Blanchett), a lethal CIA operative who holds the key to Hanna's genesis.
Monday, April 19, 2010
Movie Review: The Ghost Writer (2010)
by Tony Dayoub
In The Ghost Writer, the British Adam Lang (Pierce Brosnan), a former prime minister under attack for playing crony to the U.S. and its interests in the Iraq War, is beset by protesters who attack him for aiding and abetting the torture of Muslim POWs. While contending with the suspicious death of writer Mike McAra who was ghosting his memoirs, Lang rides out the tempest in Cape Cod with his wife, Ruth (Olivia Williams); his assistant and possible mistress, Amelia Bly (Kim Cattrall); and new to the mix, the unnamed ghost writer (Ewan McGregor) who replaces McAra.
In The Ghost Writer, the British Adam Lang (Pierce Brosnan), a former prime minister under attack for playing crony to the U.S. and its interests in the Iraq War, is beset by protesters who attack him for aiding and abetting the torture of Muslim POWs. While contending with the suspicious death of writer Mike McAra who was ghosting his memoirs, Lang rides out the tempest in Cape Cod with his wife, Ruth (Olivia Williams); his assistant and possible mistress, Amelia Bly (Kim Cattrall); and new to the mix, the unnamed ghost writer (Ewan McGregor) who replaces McAra.
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