by Tony Dayoub
As many of you have noticed, this blog has lain fallow since just before Thanksgiving. Initially, a vacation was to blame but recently, the cause has been the overwhelming amount of end-of-year movies I've had to watch (not a bad thing). In the next few days I hope to publish a few catch-up posts that will address all the movies I haven't had time to write about. Meanwhile, everything old is new again, especially if you weren't able to read it the first time. Many of you have complained about your inability to successfully click through to my work for Nomad Editions: Wide Screen. So now that the magazine folded I will begin reposting the columns I wrote for Wide Screen (in their entirety) to plug holes in my writing schedule. This review was originally published on 12/22/2010.
It's disappointing to conclude that writer-director Sofia Coppola’s latest, Somewhere, causes me to reassess her earlier film, Lost in Translation, in addition to her own potential as an artist. It's not that Somewhere is bad, or even dull. The strong performances by its two leads, Stephen Dorff and Elle Fanning, along with Harris Savides’s handsome photography of a lustrous West Hollywood give one plenty to admire. But the superficiality of a tale rooted in the privileged director’s navel-gazing overwhelms the tender story of the relationship between a young actor and his daughter.
Showing posts with label Somewhere (2010). Show all posts
Showing posts with label Somewhere (2010). Show all posts
Tuesday, December 6, 2011
Sunday, January 23, 2011
And Two Weeks in Another Town begat...
by Tony Dayoub
Just finished watching Warner Archive's remastered edition of Vincente Minelli's Two Weeks in Another Town (1962), a fine film based on a bestseller by Irwin Shaw. The melodrama is frank in its look behind the scenes of a troubled Hollywood production being shot in Rome. Kirk Douglas plays washed up actor Jack Andrus, lured out of an extended "drying out," at what used to be called a sanitarium, by director Maurice Kruger (Edward G. Robinson), who himself has seen better days. Kruger is shooting a film at Cinecittà starring young Davie Drew (George Hamilton), a volatile actor not unlike Andrus during his tumultuous youth. One thing leads to another, and Andrus must take over for an ailing Kruger, manage his mercurial star, and contend with a manipulative ex-lover (Cyd Charrise), all while gripping tenuously to his eroding sanity. The passion of Minelli's drama, its abrupt tonal shifts from comedy to drama, from romance to disillusionment, and its deep cynicism, all reflected in the director's knack for expressionistic use of color, stands in stark contrast to Sofia Coppola's recent Somewhere (2010).
Just finished watching Warner Archive's remastered edition of Vincente Minelli's Two Weeks in Another Town (1962), a fine film based on a bestseller by Irwin Shaw. The melodrama is frank in its look behind the scenes of a troubled Hollywood production being shot in Rome. Kirk Douglas plays washed up actor Jack Andrus, lured out of an extended "drying out," at what used to be called a sanitarium, by director Maurice Kruger (Edward G. Robinson), who himself has seen better days. Kruger is shooting a film at Cinecittà starring young Davie Drew (George Hamilton), a volatile actor not unlike Andrus during his tumultuous youth. One thing leads to another, and Andrus must take over for an ailing Kruger, manage his mercurial star, and contend with a manipulative ex-lover (Cyd Charrise), all while gripping tenuously to his eroding sanity. The passion of Minelli's drama, its abrupt tonal shifts from comedy to drama, from romance to disillusionment, and its deep cynicism, all reflected in the director's knack for expressionistic use of color, stands in stark contrast to Sofia Coppola's recent Somewhere (2010).
Wednesday, December 22, 2010
Somewhere, My First Piece for Nomad Editions Wide Screen
by Tony Dayoub
Here's the concept behind Nomad Editions (which also offers both a food and a surf weekly, with other titles on the way), as explained by founder Mark Edmiston:
It's disappointing to conclude that writer-director Sofia Coppola’s latest, Somewhere, causes me to reassess her earlier film, Lost in Translation, in addition to her own potential as an artist. It's not that Somewhere is bad, or even dull. The strong performances by its two leads, Stephen Dorff and Elle Fanning, along with Harris Savides’s handsome photography of a lustrous West Hollywood give one plenty to admire. But the superficiality of a tale rooted in the privileged director’s navel-gazing overwhelms the tender story of the relationship between a young actor and his daughter.So begins my latest review. Posting here has been light this past month, but it doesn't mean I haven't been writing. My piece on Somewhere appears in a new digital weekly, Nomad Editions Wide Screen, edited by MSN's chief film critic, Glenn Kenny. I am pleased that Wide Screen allows me to share the company of such highly regarded writers as Simon Abrams, Kurt Loder, Farran Smith Nehme, Vadim Rizov, and others.
Here's the concept behind Nomad Editions (which also offers both a food and a surf weekly, with other titles on the way), as explained by founder Mark Edmiston:
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