The weightlessness, violence, inertia and, yes, humor of dance all express themselves in Wim Wenders's exhilarating 3D dance documentary, Pina. You may be tired of hearing it from me, but I can't help it if the New York Festival keeps raising the bar. Pina is yet another candidate for best film of 2011. And the reason is plain: Wenders imbues an already kinetic subject with the kind of immediacy and depth that makes it transcend its stage roots to become gloriously cinematic.
