Google+ Cinema Viewfinder: Woody Harrelson
Showing posts with label Woody Harrelson. Show all posts
Showing posts with label Woody Harrelson. Show all posts

Monday, March 10, 2014

Time is a Flat Circle or: Haven't I Seen True Detective Before?

by Tony Dayoub


When True Detective promos started popping up on HBO months ahead of its debut, it was difficult to figure what it was all going to be about. About all one could dig up was that it was an 8-episode series, shot in Louisiana (employing a few of the actors of HBO's just-cancelled Treme), starring two well-established stars, Matthew McConaughey and Woody Harrelson—neither of whom were on the usual descending trajectory movie stars travel when they decide to move to television—with a title that evoked the pulpy aesthetic of the mystery magazine that ran for decades.

Thursday, November 21, 2013

Movie Review: The Hunger Games: Catching Fire (2013)

by Tony Dayoub


The Hunger Games: Catching Fire is a noticeable upgrade from the franchise's previous movie in nearly every way. The odd pacing of director Gary Ross's The Hunger Games often meant the inherent thrills of a premise involving arena games in a dystopic future often took a back seat to YA melodrama at the oddest of moments. The tacky otherness of this futuristic society's attire and florid names of its characters were made unintentionally distracting by Ross's inexperience directing what in essence is just a dressed-up action film. Successor Francis Lawrence (I am Legend) instantly proves a better fit as director, darkening up the visuals, accentuating the filthiness of the coal-mining District 12 that heroine Katniss Everdeen (Jennifer Lawrence) hails from, concealing the flamboyance of the class-divided country Panem and its Capitol if not entirely burying it.

Wednesday, October 30, 2013

Movie Review: Free Birds (2013)

by Tony Dayoub


Remember the last time you ate turkey for Thanksgiving? The alluring smell of garlic and herbs wafting through the house as your mother-in-law took care to keep an eye on the roast bird while you watched the Macy's Day parade and got ready for some football? As it was placed on the table you took a picture of it in all its resplendent, golden-brown glory. You couldn't wait to dig in. And then, one bite of the turkey your father-in-law carefully carved, and you realize that you'll need either a ton of gravy or the tallest glass of water ever to counter its dryness. Well, that's what the new, animated Thanksgiving movie Free Birds feels like... a pretty, overcooked turkey.

Thursday, October 11, 2012

The Other Side of Cinema: Argo (2012) and Seven Psychopaths

by Tony Dayoub


Argo does an outstanding job of establishing both its world and its central conceit in the movie's prologue. Intercutting between documentary footage and the type of comic book frames used in movie storyboards, director Ben Affleck establishes a key fact that will surprise younger viewers, the closeness of the U.S. and its one-time ally Iran in the years just before the dictatorial Shah was forced to flee the country during 1979's Islamic Revolution. Subsequent sequences depicting protesters overrunning the gates of the American embassy are evocative not only of the actual events they cover, but of the recent embassy protests in Benghazi, Libya where Ambassador Chris Stevens was assassinated. Much of what will no doubt fuel Argo's Oscar campaign—or its chances for Best Picture in the minds of Academy voters—is this prescience or timing.

Wednesday, March 7, 2012

TV Review: Game Change

by Tony Dayoub


Premiering this Saturday, Game Change is an HBO adaptation of the bestselling book by John Heilemann and Mark Halperin covering the 2008 U.S. election race. Rather than try to tackle the entire tome, which looked at the presidential race from nearly every angle on both sides of the aisle, the film wisely narrows its focus to one of politics' most interesting chapters (the book's last 113 pages, essentially): the rise of Sarah Palin from Alaskan governor to—as CNN commentator Jack Cafferty put it—Republican leader "one 72-year-old's heartbeat away from being President of the United States." Writer Danny Strong and director Jay Roach take much the same approach they did with HBO's Recount, the story behind the even more controversial election of 2000. Mixing found footage gathered from cable news with CGI-enhanced images blending real-life figures like Joe Biden and actors like Julianne Moore and Ed Harris, the filmmakers dramatize the events that unfolded behind-the-scenes of John McCain's campaign.

Tuesday, March 18, 2008

DVD Review: No Country for Old Men - Appreciating the Unsung Heroes

by Tony Dayoub

So you've all heard about No Country for Old Men winning Best Picture at the Oscars this year. You've heard about the crafty Coen Brothers finally getting the praise they're long overdue. Javier Bardem has been all over the place campaigning for his Oscar... blah, blah, blah. But I thought that with the film being released on DVD last week, we'd sing the praises of some of its relatively unsung heroes.